Makeup Department Head
Aggie, A 67 year-old Black Cajun, has just stepped into her worst nightmare. Her two granddaughters have disappeared, and the only clue she possesses is a forgotten laptop. Aware she only has a short window of time, she feels helpless to save them as her money and influence are scarce. Desperate to get her girls back, Aggie risks everything to cross paths with Richard and Lottie DuMonde, two of the wealthiest and most connected people in New Orleans. Certainly, once they hear her story, they will help. But what Aggie doesn't foresee is the dark world she's about to step into, or the dangers accompanying the rescue needed to bring her girls home.
Director
Tseng Kwong Chi (1950-1990) was part of an intimate circle of artists, Keith Haring, Kenny Scharf, and Cindy Sherman among them, who took center stage in the New York art world during the 1980's. As a Hong-Kong born, Paris-trained artist, Tseng viewed himself as a citizen of the world and eschewed labeling himself or his art as "Chinese." However, his ironic self-portraits posed in a Mao suit in front of American landmarks found their way to Communist China and were profoundly influential for China's avant-garde, including conceptual artists Song Dong and Zhang Huan, who were exposed to Tseng's images through western magazines smuggled into the country in the 1980's. Tseng's photographs not only satirized relations between the United States and its emerging rival, China, but also broadcasted his freedom of movement - a privilege denied most Chinese artists at the time.
