Makeup Department Head
A história de Aggie Prejean, uma avó que busca desesperadamente encontrar suas netas, Skye e Elle, que foram raptadas pelo próprio pai. Enquanto os detalhes por trás do desaparecimento das meninas começam a ser desvendados, descobre-se que elas foram levadas pelo pai para o exterior a fim de serem vendidas como escravas, para que ele pudesse liquidar sua dívida com traficantes de drogas.
Director
Tseng Kwong Chi (1950-1990) was part of an intimate circle of artists, Keith Haring, Kenny Scharf, and Cindy Sherman among them, who took center stage in the New York art world during the 1980's. As a Hong-Kong born, Paris-trained artist, Tseng viewed himself as a citizen of the world and eschewed labeling himself or his art as "Chinese." However, his ironic self-portraits posed in a Mao suit in front of American landmarks found their way to Communist China and were profoundly influential for China's avant-garde, including conceptual artists Song Dong and Zhang Huan, who were exposed to Tseng's images through western magazines smuggled into the country in the 1980's. Tseng's photographs not only satirized relations between the United States and its emerging rival, China, but also broadcasted his freedom of movement - a privilege denied most Chinese artists at the time.
