Marta Pajek

Impossible Figures and other stories I is the first and—paradoxically—the final part of the triptych. The city, which is its subject, grows not only in space but, most importantly, in time. With all consequences.

Impossible Figures and other stories I is the first and—paradoxically—the final part of the triptych. The city, which is its subject, grows not only in space but, most importantly, in time. With all consequences.

Impossible Figures and other stories I is the first and—paradoxically—the final part of the triptych. The city, which is its subject, grows not only in space but, most importantly, in time. With all consequences.

Impossible Figures and other stories I is the first and—paradoxically—the final part of the triptych. The city, which is its subject, grows not only in space but, most importantly, in time. With all consequences.

El personaje principal, que perdió a los que más le importaban, trata de escapar de la desesperación escondiéndose en un lugar seguro lleno de recuerdos. Con los años, una gran ciudad se forma en su imaginación. Héroes de la literatura y dibujos animados de su infancia llegan a poblarla sin ser invitados. Cuando el protagonista descubre que todos se han vuelto viejos y que la eterna juventud no existe, decide volver a la realidad.

A witch invites us to join the festival of animated films made by women.

A man and a woman meet in a waiting room and immediately get close to each other. They commence a game that gradually gets more and more ferocious. Their faces resemble masks while shapes slowly lose their integrity. Bodies are formed like clay, embracing each other up to the limits of impossibility. III is a portrait of a woman in an exhausting relationship with a man, which allures and repulses at the same time. The film is the third part of the triptych Impossible Figures and other stories.

A man and a woman meet in a waiting room and immediately get close to each other. They commence a game that gradually gets more and more ferocious. Their faces resemble masks while shapes slowly lose their integrity. Bodies are formed like clay, embracing each other up to the limits of impossibility. III is a portrait of a woman in an exhausting relationship with a man, which allures and repulses at the same time. The film is the third part of the triptych Impossible Figures and other stories.

A man and a woman meet in a waiting room and immediately get close to each other. They commence a game that gradually gets more and more ferocious. Their faces resemble masks while shapes slowly lose their integrity. Bodies are formed like clay, embracing each other up to the limits of impossibility. III is a portrait of a woman in an exhausting relationship with a man, which allures and repulses at the same time. The film is the third part of the triptych Impossible Figures and other stories.

The film portrays a story of a woman, who keeps on stumbling and falling in her daily rush.

"Sleepincord" raises the issue of dream. Dream is the meeting point of the world of body and mind; it is intangible for us and hard to examine thoroughly. It happens inside but, at the same time, outside of us and, therefore, gives rise to anxiety.

"Sleepincord" raises the issue of dream. Dream is the meeting point of the world of body and mind; it is intangible for us and hard to examine thoroughly. It happens inside but, at the same time, outside of us and, therefore, gives rise to anxiety.