Nicolás Wong

Domingo’s house in the Costa Rican mountains is about to be expropriated for the construction of a highway. But his land hides a secret: the ghost of his deceased wife visits him within the mist. Domingo is sure he will never give up his land, even if that means resorting to violence.

Domingo’s house in the Costa Rican mountains is about to be expropriated for the construction of a highway. But his land hides a secret: the ghost of his deceased wife visits him within the mist. Domingo is sure he will never give up his land, even if that means resorting to violence.

En contra de los deseos de Eva, su madre quiere reformar la casa y deshacerse del gato, que, desorientado desde el divorcio, orina por todas partes. Eva quiere irse a vivir con su padre, quien, desorientado como el gato, vive una segunda adolescencia.

In a dystopian society, a grandmother wants to spend more time with her granddaughter, but a series of eventualities mean that what seemed like a perfect afternoon is not.

Rosmeri is the last inhabitant of a ghost town evicted by the constant eruptions of a volcano in Costa Rica. He has found a new way of life taking care of the animals that were left in the area and working in his cafeteria. The pressure from her family and the authorities is not enough to make her leave her home. Rosmeri says that the volcano is her friend and will keep her safe; and that relationship is the force that will help her resist.

Una historia de horror y fantasía, llena de suspenso, y una metáfora urgente de la historia reciente de Guatemala y sus heridas políticas curadas.

A Costa Rican motorcycle messenger leads a simple life of hanging out with his delivery crew and meeting up with his girlfriend, but life takes a comedic turn when they lose their jobs and must find a new way to stay together.

En un Mexico atemporal una niña se viste de una manera extraña para ocultar su género, usa una máscara de Hulk y ayuda a su atormentado padre a cuidar un campo de béisbol abandonado donde juegan traficantes de drogas.

Violeta de 72 años se divorció recientemente y vive sola en la casa familiar, donde cuida a diario del frondoso jardín y tiene planes de montar una pensión. Cuando descubre que el banco le quiere quitar su casa, está dispuesta a romper todas las reglas para defender su hogar y su autonomía.

Sole y Ana andan en sus bicis por la ciudad. Ellas investigan unos autos viejos abandonados, son una herencia de la abuela de Sole, con la intención de ponerse una compañía de taxis. Pero su amistad se verá en riesgo cuando encuentran una sorpresa en una de las jorobas.

Sole y Ana andan en sus bicis por la ciudad. Ellas investigan unos autos viejos abandonados, son una herencia de la abuela de Sole, con la intención de ponerse una compañía de taxis. Pero su amistad se verá en riesgo cuando encuentran una sorpresa en una de las jorobas.

Lucía tiene 10 años, los ojos muy abiertos y la piel muy sensible. Como todas las niñas de su edad, está a las puertas de su vida; del otro lado, no sabemos todavía qué habrá ni qué podremos ver. Pero por un instante, ella verá lo que yace en el futuro y lo que dejará atrás en su infancia.

A young and dedicated nurse is trying to avoid the pain left by her dear cousin's suicide.

In September 1992, at the height of the Special Period in Cuba, forty young couples on the verge of marriage participated in the casting selection for director Alice de Andrade’s first documentary Luna de miel (Honeymoon), about wedding rituals in a socialist context. Twentyyears later, she revisits three of these couples to see how the country’s economic and social transformations have impacted their lives. Twenty Years is a fascinating glimpse into the recent history of Cuba through the intimate lives of three divergent couples.

La historia del encuentro entre Luciana y Pedro, dos jóvenes de espíritu libre que no creen en compromisos ni ataduras matrimoniales.

Luisa and Antonio surrender to the game of keeping tricks up their sleeves, of disagreements and reconciliations. Luisa follows with curiosity the thread of the words while Antonio imagines a movie inhabited by Elsa and Miguel: some fictional characters blurred in the middle of a deep sentimental crisis; a he and a she confused and lost in the rainy labyrinth that sometimes we call love.

Norma's mother just died, leaving her alone and stranded in their small and isolated house in the mountains. Not knowing what do with her corpse, she ignores the situation childishly. When a neighbor finds out, she escapes and embarks on a journey following the tracks of her unknown father. But does he really exist? Or is the journey all part of a psychotic delusion?

Norma's mother just died, leaving her alone and stranded in their small and isolated house in the mountains. Not knowing what do with her corpse, she ignores the situation childishly. When a neighbor finds out, she escapes and embarks on a journey following the tracks of her unknown father. But does he really exist? Or is the journey all part of a psychotic delusion?