Nicolás Wong

Domingo’s house in the Costa Rican mountains is about to be expropriated for the construction of a highway. But his land hides a secret: the ghost of his deceased wife visits him within the mist. Domingo is sure he will never give up his land, even if that means resorting to violence.

Domingo’s house in the Costa Rican mountains is about to be expropriated for the construction of a highway. But his land hides a secret: the ghost of his deceased wife visits him within the mist. Domingo is sure he will never give up his land, even if that means resorting to violence.

Eva can't stand the fact that her mother wants to renovate the house and get rid of the cat, which, disoriented since the divorce, pees everywhere. Eva wants to go and live with her father, who, disoriented like the cat, is experiencing a second adolescence. And Eva follows him while he tries to reconnect with his desire to become an artist and find love again. But like someone who crosses an ocean of adults without knowing how to swim, Eva will also discover the rage that gnaws at him, and that without knowing it, she has inherited from him.

In a dystopian society, a grandmother wants to spend more time with her granddaughter, but a series of eventualities mean that what seemed like a perfect afternoon is not.

Rosmeri is the last inhabitant of a ghost town evicted by the constant eruptions of a volcano in Costa Rica. He has found a new way of life taking care of the animals that were left in the area and working in his cafeteria. The pressure from her family and the authorities is not enough to make her leave her home. Rosmeri says that the volcano is her friend and will keep her safe; and that relationship is the force that will help her resist.

Пожилого диктатора Гватемалы обвиняют в геноциде начала 1980-х годов, когда массово уничтожалось коренное население страны — индейцы кекчи. Небольшая группа выживших женщин выступает в суде, после чего выносится обвинительный приговор. В ожидании апелляции диктатор с семьёй, личной охраной и преданной экономкой запирается в своём особняке, а протестующие устраивают осаду. Остальная прислуга принципиально уволилась, поэтому экономка вызывает на подмогу девушку из своей деревни.

A Costa Rican motorcycle messenger leads a simple life of hanging out with his delivery crew and meeting up with his girlfriend, but life takes a comedic turn when they lose their jobs and must find a new way to stay together.

In a timeless México where women are disappearing, a girl helps her dad, a tormented addict, to take care of an abandoned baseball camp where the narcos gather to play.

Recently divorced, 72-year-old Violeta lives alone in her childhood house, tending to her lush tropical garden and making plans to turn her property into a boarding house. When she discovers the bank is about to take away her house, she breaks all the rules to hold onto her home and her freedom.

Hernandez had already made films in Guatemala and Mexico and this time found inspiring locations, unusual atmosphere and enthusiastic young people in Costa Rica. In this consciously unpolished film, the rebellious girls Sole and Ana open the trunk of a car in grandma’s garden and find something they’d rather immediately forget.

Hernandez had already made films in Guatemala and Mexico and this time found inspiring locations, unusual atmosphere and enthusiastic young people in Costa Rica. In this consciously unpolished film, the rebellious girls Sole and Ana open the trunk of a car in grandma’s garden and find something they’d rather immediately forget.

During a family trip, Luciana has sensations that will transform her world and trigger her curiosity, anger, guilt and fantasy.

Работая медсестрой, Клаудиа привыкла жить в постоянном напряжении и контролировать свои эмоции. Глядя на нее, трудно предположить, что на самом деле она пребывает в глубокой депрессии, тяжело переживая самоубийство кузины. Однажды в жизни Клаудии появляется старый знакомый, который нуждается в ее помощи и заботе.

In September 1992, at the height of the Special Period in Cuba, forty young couples on the verge of marriage participated in the casting selection for director Alice de Andrade’s first documentary Luna de miel (Honeymoon), about wedding rituals in a socialist context. Twentyyears later, she revisits three of these couples to see how the country’s economic and social transformations have impacted their lives. Twenty Years is a fascinating glimpse into the recent history of Cuba through the intimate lives of three divergent couples.

After meeting at a party, Luciana and Pedro... embark on a spur of the moment journey together that takes them to the forest. Asthey explore the beauty in the nature that surrounds them, they camp out under the stars, go on hikes, indulge in the passions of their encounter, and discuss their personal beliefs surrounding love, obligations, and attraction. Lensed in lush black-and-white cinematography amidst the gorgeous backdrop of the Costa Rican forest, an honest and genuine relationship story unfolds, lending a feeling of realism to their storybook romance in a refreshing and youthful way.

Luisa and Antonio surrender to the game of keeping tricks up their sleeves, of disagreements and reconciliations. Luisa follows with curiosity the thread of the words while Antonio imagines a movie inhabited by Elsa and Miguel: some fictional characters blurred in the middle of a deep sentimental crisis; a he and a she confused and lost in the rainy labyrinth that sometimes we call love.

Norma's mother just died, leaving her alone and stranded in their small and isolated house in the mountains. Not knowing what do with her corpse, she ignores the situation childishly. When a neighbor finds out, she escapes and embarks on a journey following the tracks of her unknown father. But does he really exist? Or is the journey all part of a psychotic delusion?

Norma's mother just died, leaving her alone and stranded in their small and isolated house in the mountains. Not knowing what do with her corpse, she ignores the situation childishly. When a neighbor finds out, she escapes and embarks on a journey following the tracks of her unknown father. But does he really exist? Or is the journey all part of a psychotic delusion?