Nicolás Wong

Domingo’s house in the Costa Rican mountains is about to be expropriated for the construction of a highway. But his land hides a secret: the ghost of his deceased wife visits him within the mist. Domingo is sure he will never give up his land, even if that means resorting to violence.

Domingo’s house in the Costa Rican mountains is about to be expropriated for the construction of a highway. But his land hides a secret: the ghost of his deceased wife visits him within the mist. Domingo is sure he will never give up his land, even if that means resorting to violence.

16살 에바(다니엘라 마린 바라로)는 부모의 결별로 마음이 혼란스럽다. 여동생, 고양이, 엄마와 함께 살면서도 마음은 자꾸만 아빠 마틴(레이날도 아미엔 구띠에 레즈)에게로 향한다. 새집에서 아빠와 함께 살기를 꿈꾸지만, 중년 예술가 마틴의 상황은 여유롭지 못하다. 그럼에도 에바는 맥주와 담배, 섹스까지 어른의 세계를 탐하며 마틴의 주변부에 머물고자 한다.

In a dystopian society, a grandmother wants to spend more time with her granddaughter, but a series of eventualities mean that what seemed like a perfect afternoon is not.

Rosmeri is the last inhabitant of a ghost town evicted by the constant eruptions of a volcano in Costa Rica. He has found a new way of life taking care of the animals that were left in the area and working in his cafeteria. The pressure from her family and the authorities is not enough to make her leave her home. Rosmeri says that the volcano is her friend and will keep her safe; and that relationship is the force that will help her resist.

“울면 죽여버리겠다”는 말이 귓가에 맴도는 가운데 알마와 그녀의 아이들은 살해된다. 30년 후, 민간인 대량학살의 주동자였던 퇴역장군 엔리케는 유족들로부터 형사 소송을 당한다. 그는 유죄를 선고받지만 부당한 세부조항으로 인해 석방된다. 분노한 유족들은 그의 대저택 앞에 모여 시위를 벌이고, 엔리케의 가족들은 혼란 속에서도 나름의 평정을 찾아간다. 그러나 엔리케의 신경쇠약 증상은 점점 심해지고, 밤이 되면 여인의 울부짖는 소리가 들린다며 소동을 피운다. 불안감에 휩싸인 저택의 고용인들은 모두 그들 곁을 떠나고 곧 새로운 가정부가 고용된다.

A Costa Rican motorcycle messenger leads a simple life of hanging out with his delivery crew and meeting up with his girlfriend, but life takes a comedic turn when they lose their jobs and must find a new way to stay together.

가까운 미래의 멕시코. 여성에 대한 위협이 커져가면서 소녀 헉은 성별을 숨기기 위해 마스크를 써야 한다. 뮤지션인 아버지를 따라 마약 갱단의 파티에 따라가던 중, 헉은 예상치 못한 위협을 맞닥뜨리게 되는데…. 묵시록적 분위기와 장르적 감수성에 담긴 한 소녀의 생존 성장기.

Recently divorced, 72-year-old Violeta lives alone in her childhood house, tending to her lush tropical garden and making plans to turn her property into a boarding house. When she discovers the bank is about to take away her house, she breaks all the rules to hold onto her home and her freedom.

Hernandez had already made films in Guatemala and Mexico and this time found inspiring locations, unusual atmosphere and enthusiastic young people in Costa Rica. In this consciously unpolished film, the rebellious girls Sole and Ana open the trunk of a car in grandma’s garden and find something they’d rather immediately forget.

Hernandez had already made films in Guatemala and Mexico and this time found inspiring locations, unusual atmosphere and enthusiastic young people in Costa Rica. In this consciously unpolished film, the rebellious girls Sole and Ana open the trunk of a car in grandma’s garden and find something they’d rather immediately forget.

During a family trip, Luciana has sensations that will transform her world and trigger her curiosity, anger, guilt and fantasy.

A young and dedicated nurse is trying to avoid the pain left by her dear cousin's suicide.

In September 1992, at the height of the Special Period in Cuba, forty young couples on the verge of marriage participated in the casting selection for director Alice de Andrade’s first documentary Luna de miel (Honeymoon), about wedding rituals in a socialist context. Twentyyears later, she revisits three of these couples to see how the country’s economic and social transformations have impacted their lives. Twenty Years is a fascinating glimpse into the recent history of Cuba through the intimate lives of three divergent couples.

After meeting at a party, Luciana and Pedro... embark on a spur of the moment journey together that takes them to the forest. Asthey explore the beauty in the nature that surrounds them, they camp out under the stars, go on hikes, indulge in the passions of their encounter, and discuss their personal beliefs surrounding love, obligations, and attraction. Lensed in lush black-and-white cinematography amidst the gorgeous backdrop of the Costa Rican forest, an honest and genuine relationship story unfolds, lending a feeling of realism to their storybook romance in a refreshing and youthful way.

Luisa and Antonio surrender to the game of keeping tricks up their sleeves, of disagreements and reconciliations. Luisa follows with curiosity the thread of the words while Antonio imagines a movie inhabited by Elsa and Miguel: some fictional characters blurred in the middle of a deep sentimental crisis; a he and a she confused and lost in the rainy labyrinth that sometimes we call love.

Norma's mother just died, leaving her alone and stranded in their small and isolated house in the mountains. Not knowing what do with her corpse, she ignores the situation childishly. When a neighbor finds out, she escapes and embarks on a journey following the tracks of her unknown father. But does he really exist? Or is the journey all part of a psychotic delusion?

Norma's mother just died, leaving her alone and stranded in their small and isolated house in the mountains. Not knowing what do with her corpse, she ignores the situation childishly. When a neighbor finds out, she escapes and embarks on a journey following the tracks of her unknown father. But does he really exist? Or is the journey all part of a psychotic delusion?