Clint Ramos

Anthony Davis’s groundbreaking and influential opera, which premiered in 1986, arrives at the Met at long last. Theater luminary and Tony-nominated director of Slave Play Robert O’Hara oversees a potent new staging that imagines Malcolm as an everyman whose story transcends time and space. An exceptional cast of breakout artists and young Met stars enliven the operatic retelling of the civil rights leader’s life. Baritone Will Liverman, who triumphed in the Met premiere of Fire Shut Up in My Bones, is Malcolm, alongside soprano Leah Hawkins as his mother, Louise; mezzo-soprano Raehann Bryce-Davis as his sister Ella; bass-baritone Michael Sumuel as his brother Reginald; and tenor Victor Ryan Robertson as Nation of Islam leader Elijah Muhammad. Kazem Abdullah conducts the newly revised score, which provides a layered, jazz-inflected setting for the esteemed writer Thulani Davis’s libretto.

Biopic de la legendaria cantante Aretha Franklin que sigue su carrera desde la infancia, cuando cantaba en el coro de la iglesia de su padre, hasta que consiguió su enorme fama internacional.

Olivia, una mujer transexual filipina indocumentada y muy preocupada por una posible deportación, trabaja como cuidadora de Olga, una abuela judía rusa, en Brighton Beach (Brooklyn). Cuando Olivia se queda sin opciones para obtener el estatus legal en los EE. UU. –el hombre estadounidense al que paga en secreto por una tarjeta verde se echa atrás–, se involucra románticamente con Alex, nieto de Olga, en búsqueda de una tarjeta verde basada en el matrimonio.

Olivia, una mujer transexual filipina indocumentada y muy preocupada por una posible deportación, trabaja como cuidadora de Olga, una abuela judía rusa, en Brighton Beach (Brooklyn). Cuando Olivia se queda sin opciones para obtener el estatus legal en los EE. UU. –el hombre estadounidense al que paga en secreto por una tarjeta verde se echa atrás–, se involucra románticamente con Alex, nieto de Olga, en búsqueda de una tarjeta verde basada en el matrimonio.

Paul's dad unexpectedly picked him up from work today. And then a hooker. After dropping them off at a seedy roadside motel, Paul's father handed him two hundred dollars and told him not to come out until he's a man. These are just a few of the bizarre, sexually charged events that Paul recounts to Marco, a charming and seductive hustler he meets in a dicey bar on a hidden street underneath New York City's infamous Port Authority Bus Terminal, an area officially named but rarely referred to as "Area X". It is here in this dark and shady place that Paul must navigate his way through what he wants, what he needs, and the high cost attached to both.