Clint Ramos

Anthony Davis’s groundbreaking and influential opera, which premiered in 1986, arrives at the Met at long last. Theater luminary and Tony-nominated director of Slave Play Robert O’Hara oversees a potent new staging that imagines Malcolm as an everyman whose story transcends time and space. An exceptional cast of breakout artists and young Met stars enliven the operatic retelling of the civil rights leader’s life. Baritone Will Liverman, who triumphed in the Met premiere of Fire Shut Up in My Bones, is Malcolm, alongside soprano Leah Hawkins as his mother, Louise; mezzo-soprano Raehann Bryce-Davis as his sister Ella; bass-baritone Michael Sumuel as his brother Reginald; and tenor Victor Ryan Robertson as Nation of Islam leader Elijah Muhammad. Kazem Abdullah conducts the newly revised score, which provides a layered, jazz-inflected setting for the esteemed writer Thulani Davis’s libretto.

A incrível história real da jornada de um ícone da música em busca de sua voz, desde criança cantando no coral da igreja até seu estrelato internacional.

Olivia, an undocumented Filipina immigrant paranoid about deportation works as a caregiver to a Russian-Jewish grandmother in Brighton Beach, Brooklyn, NY. When the man she’s secretly paying for a green card marriage backs out, she becomes involved with a slaughterhouse worker who is unaware that she’s a trans woman.

Olivia, an undocumented Filipina immigrant paranoid about deportation works as a caregiver to a Russian-Jewish grandmother in Brighton Beach, Brooklyn, NY. When the man she’s secretly paying for a green card marriage backs out, she becomes involved with a slaughterhouse worker who is unaware that she’s a trans woman.

Paul's dad unexpectedly picked him up from work today. And then a hooker. After dropping them off at a seedy roadside motel, Paul's father handed him two hundred dollars and told him not to come out until he's a man. These are just a few of the bizarre, sexually charged events that Paul recounts to Marco, a charming and seductive hustler he meets in a dicey bar on a hidden street underneath New York City's infamous Port Authority Bus Terminal, an area officially named but rarely referred to as "Area X". It is here in this dark and shady place that Paul must navigate his way through what he wants, what he needs, and the high cost attached to both.