César Mello

O Pastor e o Guerrilheiro is a Brazilian feature film inspired by a true story, which takes place in the 1960s and 1970s and at the turn of the millennium - in the last days of 1999.

Over the years, the monthly meetings of the Stew Club – a fraternity that has gathered seven long-time friends for decades – has gone from rituals of power to melancholic failure assemblies. The end would be its only worthy fate. Until a mysterious cook appears, and starts serving them magnificent feasts. The bonds of friendship are back, gluttony as a celebration of life. But there is a catch: after each dinner, a member of the brotherhood is found dead the next morning.

Based on the biography of Luiz Gama, one of the most important characters in Brazilian history, a black man who used the laws and courts to free more than 500 slaves. Born of a free womb, Gama was sold into slavery at the age of 10 to pay off his father's gambling debts. Even as a slave, he became literate, studied and earned his own freedom, becoming one of the most respected lawyers of his time. An abolitionist and republican who inspired an entire country.

Secuela de "Nada que perder", que se estrenó en abril de 2018 y vendió más de 600.000 entradas. La película sigue la historia del líder religioso Edir Macedo.

Roberto and Mitsuo return to Brazil on the same day, after a long season living abroad. Their lives intersect because of land negotiated by their parents in the past. Without money, the two see on the ground a possibility of getting financially right. However, some events make them believe the terrain is magical. Like a fable, the film shows us that in order to obtain some desires, it is necessary to give up others.

Graça is a single mother who works as a massage therapist and lives with her two children: Moreno, 8, and Papoula, 15. One day, in a visit to the doctor, Graça is diagnosed with a brain aneurism that may rupture at any moment. Desperate about who will take care of her kids in the event of her death, she decides to go after her brother, Luiz Carlos, whom she hasn't seen in over 15 years due to a quarrel. When they meet, however, Luiz Carlos has become Gloria, a beautiful and successful transvestite, who now owns a restaurant and brags about being independent. At first, Gloria is unwilling to reconnect with her family; but as she becomes more guilt-stricken, she accepts Graça's invitation to meet her nephews and eventually realizes that maybe, to be complete, she needs to become a mother.