Costume Design
Ambientada en una base militar de tránsito secreta en la remota región de Chukotka, los aviones de las fuerzas aliadas llegan desde Alaska con un buen número de mujeres pilotos que atraerán la atención de la tripulación rusa en su mayoría varones
Costume Design
Director Andrey Kalistratov is making a multi-part television film about the literary life of Petrograd after the Civil War, about the House of Arts, which was created by the Bolsheviks to control the creative intelligentsia. Modern Petersburg and Petrograd of 1921 are intricately intertwined in the director's mind. The cruel, bloody, but romantic world of the first years of the revolution and the artistic and everyday environment of modern cinema coexist in one space. The main characters of the film that Kalistratov is shooting - the poet and former officer Pyotr Versilov, his girlfriend Olga, the French documentary cameraman Etienne Faberge and his wife Francoise - are as real to the director as the people around him-the film's producer Semyon Mikhailovich, the film crew, actors, friends, acquaintances, relatives. Despite the demands of the producer to be "simpler" and "more economical", Kalistratov wants to make a real historical film, not a standard TV series "soap".
Key Costumer
El agente secreto Harry Palmer ha montado un despacho de investigación privada en Rusia con su colaborador Nikolai Petrov. Juntos deben localizar y recuperar un cargamento de plutonio robado. Con la ayuda de su colega, Harry intentará encontrarlo pero, durante su búsqueda, deberá enfrentarse con la violenta mafia rusa y resolver también el caso de la bailarina Tatiana, que ha sido secuestrada.
Costume Designer
Mirror film, intellectual game, tribute to Jean-Luc Godard and "Breathless". The narrative plot resumes the transposed history in post-Soviet St. Petersburg.
