Costume Design
A group of American pilots from Alaska ferry Airacobra fighter planes across the ocean on Lend-lease. The orderly course of life is disrupted when it becomes clear that the American pilots are attractive and charming young women. The feelings of the Russian young men collide into barriers of culture and language resulting in a host of awkward, funny, and sometimes tragic situations.It is the story of Russians, Americans, and natives of the Far North. It is the story of man and woman in war. Love and death are squeezed between the hills as human fates are destroyed and born.
Costume Design
Director Andrey Kalistratov is making a multi-part television film about the literary life of Petrograd after the Civil War, about the House of Arts, which was created by the Bolsheviks to control the creative intelligentsia. Modern Petersburg and Petrograd of 1921 are intricately intertwined in the director's mind. The cruel, bloody, but romantic world of the first years of the revolution and the artistic and everyday environment of modern cinema coexist in one space. The main characters of the film that Kalistratov is shooting - the poet and former officer Pyotr Versilov, his girlfriend Olga, the French documentary cameraman Etienne Faberge and his wife Francoise - are as real to the director as the people around him-the film's producer Semyon Mikhailovich, the film crew, actors, friends, acquaintances, relatives. Despite the demands of the producer to be "simpler" and "more economical", Kalistratov wants to make a real historical film, not a standard TV series "soap".
Key Costumer
Harry Palmer heads a private investigation business based in Moscow. His associates are Nikolai "Nick" Petrov, ex-CIA agent Craig, and ex-KGB Colonel Gradsky. They take on the job of finding 1000 grams of weapons-grade plutonium stolen from the Russian government, though they do not know the identity of their client.
Costume Designer
Mirror film, intellectual game, tribute to Jean-Luc Godard and "Breathless". The narrative plot resumes the transposed history in post-Soviet St. Petersburg.
