Mia Tomé

Raised without parents in an isolated mansion on Portugal’s southernmost coast, Milene turned out a sort of adult wild child — impulsive, often withdrawn, prone to hysterical outbursts. When her grandmother-minder dies, the stuffy relatives who ignored Milene until now must decide what to “do with” her. Institutionalization? Some menial job? They don’t reckon she might have her own firm ideas on the matter, especially after she meets construction worker Antonino, who’s part of a much warmer clan living on the grounds of the shuttered factory that once enriched her own family. The heart wants what it wants…but will anyone respect Milene’s desires?

An analysis of Alfred Hitchcock's behavior with his actresses in his movie sets. Taking archive pictures and intertwining them with images of an XXI century woman, exploiting our audio senses, an experimental look is created. This allows us to have a different perspective on a period of them in the film making industry where many actresses were victims of a sexist panorama.

An analysis of Alfred Hitchcock's behavior with his actresses in his movie sets. Taking archive pictures and intertwining them with images of an XXI century woman, exploiting our audio senses, an experimental look is created. This allows us to have a different perspective on a period of them in the film making industry where many actresses were victims of a sexist panorama.

Mariana died today. Or yesterday, maybe. While sitting at the Cafe, David spends his last night on Earth reflecting about himself, his time, and his human condition.

In 1918, Maria Adelaide Coelho da Cunha, heiress and owner of the Diário de Notícias, leaves the social, cultural and family luxury in which she lives to escape with a petty chauffeur, 26 years younger.

Even before we know ourselves, when we are little the only thing we want is to be loved. "Alice By Night" is an observational fiction. It shows us the common state we are when in love and the determination when being after someone. An analysis on the old illusion that the prince charming will come and fill the emotional weaknesses we have in life.

Lisboa, Portugal, 1927. El escritor y periodista Fernando Pessoa acepta de su jefe el encargo de crear un eslogan publicitario para la bebida Coca-Louca; pero las conservadoras autoridades del Gobierno consideran la nueva bebida tan revolucionaria como diabólica.

Ramiro is a bookstore owner in Lisbon and a poet in perpetual creative block. He lives, somewhat frustrated, somewhat conformed, between his shop and the tavern, accompanied by his dog, his faithful drinking companions and his neighbors: a pregnant teenager and her grandmother recovering from a stroke. He would gladly continue living this quiet and somewhat anachronistic routine if events worthy of a soap opera did not invade his bubble.

1975, soplan vientos de cambio en la Portugal posrevolucionaria. Al Berto, ahora un aspirante a poeta, regresa a su pueblo natal de Sines. Se instala de forma ilegal en una mansión expropiada a su familia durante la revolución, y frecuenta a vecinos que comparten su interés por las artes y sueñan con una vida diferente. Pronto consigue un amante, João Maria, mientras provoca la ira de los residentes más conservadores.

Lazarus de Jesus is the adopted son of a wealthy lady from Lisbon, whom he calls Grandmother. It is she who introduces him to Godfather, a great businessman who takes him as his protégé, and Angelina, the woman Grandma wants him to marry. But Lazarus has other hidden interests, the most important of which is an obsessive fixation on female armpits. When he sees the violinist Maria Pia playing, Lazarus immediately falls in love and starts to live for her, which will precipitate an absolutely unpredictable ending.

Una joven estudiante de cine conoce a un antiguo estudiante de la escuela que no puede quitarse de la cabeza un nombre: Catarina Vega. Ambos vivirán una historia enlazada con el pasado, y el futuro. (FILMAFFINITY)

Day breaks on the eighth floor in a suburban neighbourhood of Lisbon and 14-year-old Bruno’s grandfather is still in hospital. Doctors give him only a few days to live. The imminence of death and the void that it will leave force Bruno to become the man of the house, where he lives with his mother Mónica, who is in her 30s, and his three-year-old sister Érica.

When his wife dies during child-birth, Arsénio turns to a foul ritual with hopes of having the daughter he never got to know.

In the 1990s, a long time TV host from the Azores Islands comes to terms with his career's end in a turbulent fashion.