Mia Tomé

Raised without parents in an isolated mansion on Portugal’s southernmost coast, Milene turned out a sort of adult wild child — impulsive, often withdrawn, prone to hysterical outbursts. When her grandmother-minder dies, the stuffy relatives who ignored Milene until now must decide what to “do with” her. Institutionalization? Some menial job? They don’t reckon she might have her own firm ideas on the matter, especially after she meets construction worker Antonino, who’s part of a much warmer clan living on the grounds of the shuttered factory that once enriched her own family. The heart wants what it wants…but will anyone respect Milene’s desires?

An analysis of Alfred Hitchcock's behavior with his actresses in his movie sets. Taking archive pictures and intertwining them with images of an XXI century woman, exploiting our audio senses, an experimental look is created. This allows us to have a different perspective on a period of them in the film making industry where many actresses were victims of a sexist panorama.

An analysis of Alfred Hitchcock's behavior with his actresses in his movie sets. Taking archive pictures and intertwining them with images of an XXI century woman, exploiting our audio senses, an experimental look is created. This allows us to have a different perspective on a period of them in the film making industry where many actresses were victims of a sexist panorama.

Hoje, Mariana morreu. Ou talvez ontem. Sentado à mesa do café, David vive a sua última noite na Terra, enquanto reflete sobre si, sobre o seu tempo e sobre a sua condição humana.

Em 1918, Maria Adelaide Coelho da Cunha, herdeira e proprietária do Diário de Notícias, abandona uma vida de luxos —social, cultural e familiar— para fugir com um insignificante motorista, 26 anos mais novo. As consequências da decisão de Maria Adelaide serão obviamente dolorosas e moralmente devastadoras.

Even before we know ourselves, when we are little the only thing we want is to be loved. "Alice By Night" is an observational fiction. It shows us the common state we are when in love and the determination when being after someone. An analysis on the old illusion that the prince charming will come and fill the emotional weaknesses we have in life.

Lisboa, Portugal, 1927. O escritor e jornalista Fernando Pessoa aceita do seu patrão a encomenda de criar um slogan publicitário para a bebida Coca-Louca; mas as autoridades governamentais conservadoras consideram a nova bebida tão revolucionária como diabólica.

Ramiro is a bookstore owner in Lisbon and a poet in perpetual creative block. He lives, somewhat frustrated, somewhat conformed, between his shop and the tavern, accompanied by his dog, his faithful drinking companions and his neighbors: a pregnant teenager and her grandmother recovering from a stroke. He would gladly continue living this quiet and somewhat anachronistic routine if events worthy of a soap opera did not invade his bubble.

Verão de 1975: depois de um exílio em Bruxelas, Alberto Raposo Pidwell Tavares regressa a Sines e instala-se no palácio da família, onde ensaia uma vida de comunidade. Encontra João Maria e apaixonam-se. Abre uma livraria na vila. Mas depois de 48 anos de ditadura, a gente da terra não estava preparada para tanta liberdade.

Lázaro de Jesus é o filho adotado de uma senhora rica de Lisboa, a quem chama Avó. É ela que o apresenta ao Padrinho, um grande empresário que o toma como seu protegido, e a Angelina, a mulher com quem a Avó pretende que ele se case. Mas Lázaro tem outros interesses ocultos, o mais importante dos quais é uma fixação obsessiva pelas axilas femininas. Quando vê a violinista Maria Pia a tocar, Lázaro apaixona-se de imediato e passa a viver em função dela, o que irá precipitar um final absolutamente imprevisível.

The lives of two women intersect.

Day breaks on the eighth floor in a suburban neighbourhood of Lisbon and 14-year-old Bruno’s grandfather is still in hospital. Doctors give him only a few days to live. The imminence of death and the void that it will leave force Bruno to become the man of the house, where he lives with his mother Mónica, who is in her 30s, and his three-year-old sister Érica.

Um homem tenta criar a filha, enquanto tudo faz para esconder um segredo tenebroso que só partilha, em confissão, com o padre da aldeia.

In the 1990s, a long time TV host from the Azores Islands comes to terms with his career's end in a turbulent fashion.