Rosemary Hochschild

Rosemary Hochschild

Perfil

Rosemary Hochschild

Películas

The Five Rules Of Success
Jane
Un ex convicto emprendedor supera la tragedia al diseñar su propio camino hacia el éxito dentro de una sociedad que le falló.
Harumi
Self
In the hills of Los Angeles the reclusive, stylish and enigmatic 96-year-old Harumi Taniguchi spent decades painting, writing poetry and dancing in her home designed by architect Richard Neutra.
The Queen of Hollywood Blvd
Queen Mary
On her 60th birthday, the proud owner of a Los Angeles strip club, finds herself in hot water over a twenty-five year old debt to the mob, leading her on a downward spiral of violence and revenge through the underbelly of Los Angeles.
Wild in Blue
Charlie's Mom
Durante el rodaje de su relación sádica con las mujeres, el enamoramiento de un asesino con una víctima potencial le obliga a enfrentarse a su pasado.
Sadness at Leaving
Melinda
Following the erection of the Berlin wall, special agent Carl Halman is assigned by East German intelligence to move to New York where he’ll “sleep” as a writer until he is called. Using the code-name “April 23,” Carl successfully infiltrates the uptown-downtown literary world in 1950s New York. He edits a magazine, follows the Knicks, and marries Melinda, the socialite wife of best-selling jock novelist Hubert Cleaver, Ayden’s hilarious Norman Mailer pastiche. Through Carl’s eyes, we see New York City change from an outpost of Europe to the new capital of an anarchistic, post-ideological world. But then, when Carl least expects it, he’s called.
Seven Women, Seven Sins
(segment "Greed")
Seven Women, Seven Sins (1986) represents a quintessential moment in film history. The women filmmakers invited to direct for the seven sins were amongst the world's most renown: Helke Sander (Gluttony), Bette Gordon (Greed), Maxi Cohen (Anger), Chantal Akerman (Sloth), Valie Export (Lust), Laurence Gavron (Envy), and Ulrike Ottinger (Pride). Each filmmaker had the liberty of choosing a sin to interpret as they wished. The final film reflected this diversity, including traditional narrative fiction, experimental video, a musical, a radical documentary, and was delivered in multiple formats from 16, super 16, video and 35mm.
Buscando a Susan desesperadamente
Cocktail Waitress
Roberta Glass es una veinteañera aficionada a leer los anuncios personales del periódico. Es así como se entera de que alguien está buscando desesperadamente a una tal Susan. También ella quiere encontrarla para poder alejarse de su marido, un triunfador guapo y enérgico, incapaz de comprender sus sueños. Cuando, por fin, la localiza, se verá envuelta en numerosos líos, ya que Susan es una mujer que vive según sus deseos y que concibe la vida como una gran aventura.
King Blank
Queenie Blank
Set in a motel room at NYC's Kennedy Airport, the film treats two days in the life of a deadbeat couple, an obsessive husband lost in a web of psychotic delusion and his immigrant wife.
King Blank
Writer
Set in a motel room at NYC's Kennedy Airport, the film treats two days in the life of a deadbeat couple, an obsessive husband lost in a web of psychotic delusion and his immigrant wife.
Cinématon XXV
N°242
Reel 25 of Gérard Courant’s on-going Cinematon series.
For Ladies Only
Acting Class Student
An aspiring young actor moonlights as a male stripper while looking for work in the theatre.
Empty Suitcases
Bette Gordon describes her first feature film as “a narrative derived from film’s own material and my concern for exploring issues of representation and identification in cinema."
Minus Zero
Dora
A psycho noir where stalkers, terrorists and government agents collide.