Rosemary Hochschild

An enterprising ex-convict overcomes tragedy by designing his own path to success within a society that failed him.

In the hills of Los Angeles the reclusive, stylish and enigmatic 96-year-old Harumi Taniguchi spent decades painting, writing poetry and dancing in her home designed by architect Richard Neutra.

On her 60th birthday, the proud owner of a Los Angeles strip club, finds herself in hot water over a twenty-five year old debt to the mob, leading her on a downward spiral of violence and revenge through the underbelly of Los Angeles.

어렸을때 부모로부터 학대를 당한 찰리(프랭크 체르막 주니어)는 친구 벤(마르코스 마테오 오초아)과 정직한 영화를 찍기로 다짐 했지만 실제로는 스스로 범죄를 저지른 장면들을 촬영하기 시작한다. 계속 촬영을 하기 위해 길에서 여자를 납치해오거나 매춘부를 찾아가기도 한다. 그러던 어느 날 우연히 알게된 애슐리(샬롯 엘렌 프라이스)를 보고 사랑에 빠지기 시작하면서 많은 일들이 벌어지는데..

Following the erection of the Berlin wall, special agent Carl Halman is assigned by East German intelligence to move to New York where he’ll “sleep” as a writer until he is called. Using the code-name “April 23,” Carl successfully infiltrates the uptown-downtown literary world in 1950s New York. He edits a magazine, follows the Knicks, and marries Melinda, the socialite wife of best-selling jock novelist Hubert Cleaver, Ayden’s hilarious Norman Mailer pastiche. Through Carl’s eyes, we see New York City change from an outpost of Europe to the new capital of an anarchistic, post-ideological world. But then, when Carl least expects it, he’s called.

Seven Women, Seven Sins (1986) represents a quintessential moment in film history. The women filmmakers invited to direct for the seven sins were amongst the world's most renown: Helke Sander (Gluttony), Bette Gordon (Greed), Maxi Cohen (Anger), Chantal Akerman (Sloth), Valie Export (Lust), Laurence Gavron (Envy), and Ulrike Ottinger (Pride). Each filmmaker had the liberty of choosing a sin to interpret as they wished. The final film reflected this diversity, including traditional narrative fiction, experimental video, a musical, a radical documentary, and was delivered in multiple formats from 16, super 16, video and 35mm.

안정적이지만 남편에게서 사랑을 느끼지 못하는 평범한 주부 로버타(로잔느 아퀘트 분)은 신문의 광고란에서 "애타게 수잔을 찾습니다"라는 광고를 보고 관심을 갖게 된다. 로버타는 수잔(마돈나 분)이 어떤 사람인가를 보기 위해 항구로 가서 수잔과 남자친구의 짐을 본다. 로버타는 한동안 수잔을 미행하고 수잔이 가게에서 구두와 바꾼 잠바를 산다. 그런데 잠바에는 열쇠가 들어있었고, 로버타는 열쇠를 건네주겠다며 수잔에게 만나자는 광고를 낸다. 수잔을 만나기 위해 공원에 도착한 로버타는 잠바 때문에 수잔으로 오해를 받아 갱들에게 공격을 당하고, 정신을 잃는다. 짐의 친구 데즈(에이단 퀸 분) 역시 로버타를 수잔으로 착각하고, 기억을 잃은 로버타는 자신이 수잔이라고 생각하게 된다. 이후 수잔을 가방을 찾고, 로버타의 남편 게리는 로버타를 찾고, 짐은 수잔을 찾고, 악당은 귀걸이를 찾고, 로버타는 자아를 찾는 과정이 복잡하게 펼쳐진다.

Set in a motel room at NYC's Kennedy Airport, the film treats two days in the life of a deadbeat couple, an obsessive husband lost in a web of psychotic delusion and his immigrant wife.

Set in a motel room at NYC's Kennedy Airport, the film treats two days in the life of a deadbeat couple, an obsessive husband lost in a web of psychotic delusion and his immigrant wife.

Reel 25 of Gérard Courant’s on-going Cinematon series.

An aspiring young actor moonlights as a male stripper while looking for work in the theatre.

Bette Gordon describes her first feature film as “a narrative derived from film’s own material and my concern for exploring issues of representation and identification in cinema."

A psycho noir where stalkers, terrorists and government agents collide.