Matthias Bundschuh

El 20 de enero de 1942, destacados representantes del régimen nazi alemán se reunieron en una villa de Berlín-Wannsee para una reunión que pasó a la historia como la Conferencia de Wannsee, en la que se decidió el asesinato sistemático de 11 millones de judíos.

Un joven amish hace un viaje iniciático a Berlín en el que conecta con sus raíces, descubre otros modos de vida, se enamora... y se enfrenta a una importante decisión.

Luisa tiene 20 años, viene de una buena familia, estudia derecho y quiere que las cosas cambien en Alemania. Alarmada por el giro político a la derecha en el país y la creciente popularidad de los partidos populistas, se une a sus amigos para tomar una posición clara contra los “fascistas”. Rápidamente encuentra simpatía por el carismático Alpha y su mejor amigo Lenor: para ambos, el uso de la violencia es también un medio permitido de resistencia. Pronto los eventos se intensifican. Y Luisa tiene que decidir cómo de lejos está dispuesta a llegar, aunque ello pueda tener consecuencias fatales para ella y sus amigos.

Three fathers who are also brothers-in-law make a pact to save their daughters from their boyfriends.

Five old friends have to prove themselves one last time. 30 years after the hopeful young band Bochums Steine have separated after a disastrous live performance, fatally ill Rainer tries to re-activate his old cronies

August 1942: Amidst the unimaginable suffering inflicted during the blockade of Leningrad by the German Wehrmacht, an orchestra director was given an almost impossible task: to stage the premiere of Dimitri Shostakovitch's "Leningrad Symphony". The performance became a symbol of the brief triumph of culture over the barbarism of war.

A shootout, five fatalities and he himself wounded - in the otherwise quiet station of the village policeman Frank Koops, things are just like in the Wild West. The bloodbath was commissioned by the imprisoned mafia boss Petrovic, who wants to use all means to get rid of a key witness who was hidden in the tranquility of St. Andreasberg in the utmost secrecy.

With "Emil and the Detectives" Erich Kästner is revolutionizing children's book literature. In the Weimar Republic, he quickly rose as an editor, writer and screenwriter. His books were burned in 1933. Nevertheless, he does not emigrate, published under a pseudonym and abroad. In the post-war period, Kästner was a moral authority. But he can no longer build on his previous success, gets caught up in love affairs and fights his frustration with alcohol. Until his death in 1974, he struggled with the decision not to go into exile. The documentary drama takes a new look at Kästner's picture.

The family of Katharina Krohn is shocked when they learn that she is a member of a Swiss organization that helps people who have decided to leave this life, even though she has no life-threatening disease like many of the other members, but because she has lost the will to face life after the death of her husband.

Lena is happily married. From the strange man in the S-Bahn but such a pull goes out that she gets involved in a spontaneous infidelity. The stranger, Martin, also thought that the marriage with his wife was completely safe. Nevertheless, what should actually be written off as an adventure between Lena and Martin is becoming the projection screen for newly created needs and longings. Lena and Martin can not let go of each other.

For Pastor Judith Ehrmann, her job as an emergency counselor is more than just part of her job: giving people assistance is a vocation for them. But when a classmate of her son dies in a car accident, that's unusual. Judith begins to doubt: herself, her job - but also her family. For all at once everything seems to indicate that her own husband and son were involved in the accident and now want to cover this up. The emotionally intense drama of award-winning director Aelrun Goette raises fundamental themes without giving easy answers.

A model family's happy life unexpectedly goes off the rails when the carefree Hedi, played by Laura Tonke, suddenly starts having panic attacks. First mental illness and then drug dependency – the happiness that these happy-go-lucky thirty-somethings once took for granted suddenly seems unattainable, and their world fragile and uncertain.

Cuando un grupo de prisioneros es transferido al campo de concentración de Auschwitz, un niño judío de cuatro años aparece en el campo dentro de una maleta. Un grupo de prisioneros decide ocultar y proteger al niño. (FILMAFFINITY)

One wants to do everything right, the second die and the third somehow make ends meet. And yet all three have the same problem: the lack of autonomy. A love triangle about self-determination as the key to life.

A few people decide to found their own little state n the middle of Germany, near Berlin...

A german film about a rampage and the consequences in society.

Linda Rosenau cares only about her job. As editor-in-chief of a successful women's magazine, she must always stay at the top edge. There is hardly time for her adult daughter Leonie and her three little grandchildren; the stressed-out Leonie has to go to hospital after a fainting spell and Linda has no choice but to take care of the babies - which, as it turned out, are the result of a one-night stand. Father of the children is untraceable, but Linda senses the grandfather of the cute triplet in the widowed teacher Dr. Jakob Buchmann...

An almost bombproof method of staying single is called "speed dating". 18 people participate in such an event. Nine men and nine women are sitting opposite each other in order to sell optimally under the pressure of time and to find a partner. They are looking for a date - and have nothing else in common. They talk about allergies, cappuccino, consumer behavior, buses and designer clothes: the list of serious embarrassments is long. Yet none of the lonely hearts has given up the hope of romance.

Ever had an idea for a film? Ever actually visualised this film in your mind? Or even sketched out scenes and camera angles? Plenty of film buffs have. Michael Glawogger invited 12 people to talk about their ideas for a film and then shot short fragments for them. The result is a crime-story-erotic-lyrical-experimental-vampire-fantasy-horror-soap-opera-splatter-trash-road-movie-melodrama posing as a documentary!