Director of Photography
An Israeli swimming tutor living in Chicago returns to Israel after 10 years of absence to bury his father. An encounter with a beloved childhood friend and his newly engaged girlfriend will set a series of events that will affect everyone's lives. A story set between a flower shop and an ancient monastery, between a swimming pool and the Mediterranean sea, between life and death - and somewhere in the middle.
Director of Photography
After years of radio silence, Sharon Ryba-Kahn re-established contact with her father. She talks to him about his absence and his family. From the perspective of someone who belongs to the third generation after the Shoah, the director examines herself and her German surroundings.
Cinematography
In 2013 Addai joins a salafistic group in Syria. The encounter of Addai's mother with Ilias, a homecomer from Syria, gives rise to invidual fragments, by means of which the story of the son and comrade can be traced.
Director of Photography
En Berlín, Oren, un ingeniero constructor israelí que trabaja periódicamente en un gran proyecto, se encapricha del pastelero Thomas. El romance ni siquiera parece haber empezado propiamente cuando Thomas descubre que Oren ha muerto en un accidente de coche en Jerusalen. Thomas viaja allí sin saber exactamente qué es lo que está buscando. Sí halla, con todo, el café del que es propietaria la mujer de Oren, Anat, quien no tarda en ofrecerle un empleo de lo más básico, consistente en limpiar y fregar cacharros. Thomas no revela su talento hasta el cumpleaños del hijo de Anat, cuando decide preparar una sorpresa bajo la forma de una confección de pastas. Esto no acaba de sentar bien al religioso Motti, el hermano de Oren. A eso hay que sumar un hecho simple: Thomas es alemán, la comida que prepara un goy no es de conformidad con la ley judaica y un café en Jerusalem pierde clientes sin el certificado kosher.
Cinematography
Klaus has a new job. And it's brilliant. The best job in the world. There is just one small snag: after work.
Cinematography
George is in his 40s, a family man, on the fast track in his job - until one day a stranger claims ownership of 2m² of his house, enters the home, sets up his bed in the living room and stays. While the stranger is expanding his space in the house bit by bit, a gloomy feeling is taking hold of George.
