Frank Feitler

Four elderly men (Fons, Lull, Nuckes and Jängi) are fed up with being walked all over and treated like children. Together with their friends, they plan a future without old people's homes. But that's easier said than done.

When Jessy burns down his adoptive parents garage he is put into a youth prison. There he meets Roark another troublemake with whom he escapes and ends up in deserted woodlands. On their way they meet Rain, a girl that flees from her militia-captain Father. Together and with the Militia on their trail they try to escape in the hope of finding somewhere to make a new start of their lives.

When Jessy burns down his adoptive parents garage he is put into a youth prison. There he meets Roark another troublemake with whom he escapes and ends up in deserted woodlands. On their way they meet Rain, a girl that flees from her militia-captain Father. Together and with the Militia on their trail they try to escape in the hope of finding somewhere to make a new start of their lives.

When Jessy burns down his adoptive parents garage he is put into a youth prison. There he meets Roark another troublemake with whom he escapes and ends up in deserted woodlands. On their way they meet Rain, a girl that flees from her militia-captain Father. Together and with the Militia on their trail they try to escape in the hope of finding somewhere to make a new start of their lives.

This standard slice-of-life drama is about Dju Dibonga (Richard Courcet), a young man who leaves his home on Cabo Verde, an island of Portuguese dependency off the coast of Africa, to go to Luxembourg and search for his father. Far from his home village and unfamiliar with the large city, the young black man forms an unlikely friendship with a down-and-out white policeman whose only consolation in life is found at the bottom of a bottle. Their developing companionship forms the main focus of this movie directed by Pol Cruchten.

This standard slice-of-life drama is about Dju Dibonga (Richard Courcet), a young man who leaves his home on Cabo Verde, an island of Portuguese dependency off the coast of Africa, to go to Luxembourg and search for his father. Far from his home village and unfamiliar with the large city, the young black man forms an unlikely friendship with a down-and-out white policeman whose only consolation in life is found at the bottom of a bottle. Their developing companionship forms the main focus of this movie directed by Pol Cruchten.

The title of the film, set in Luxembourg in 1942, during the Nazi occupation, amalgamates the words Schacko (helmet) and chapeau claque (opera hat). The village, in which it is set, has not yet been feeling the effects of the war at this point.