Executive Producer
Clarita tiene 13 años y vive en Rosario junto a sus padres y hermanas. Posee una curiosidad fuera de lo común y una pasión que la define: la astronomía.
Producer
Clarita tiene 13 años y vive en Rosario junto a sus padres y hermanas. Posee una curiosidad fuera de lo común y una pasión que la define: la astronomía.
Writer
Clarita tiene 13 años y vive en Rosario junto a sus padres y hermanas. Posee una curiosidad fuera de lo común y una pasión que la define: la astronomía.
Director
Clarita tiene 13 años y vive en Rosario junto a sus padres y hermanas. Posee una curiosidad fuera de lo común y una pasión que la define: la astronomía.
Writer
Moacir ha muerto, pero puede vivir en imágenes y en el corazón de Tomás Lipgot. El director no se resigna a abandonar aún a su inolvidable personaje y se embarca en una despedida que es además una suerte de diario personal confeccionado con toda la calidez y el cariño del mundo.
Director
Moacir ha muerto, pero puede vivir en imágenes y en el corazón de Tomás Lipgot. El director no se resigna a abandonar aún a su inolvidable personaje y se embarca en una despedida que es además una suerte de diario personal confeccionado con toda la calidez y el cariño del mundo.
Executive Producer
Martín, presentador de televisión de 42 años, expresa a Leonardo, ingeniero agrónomo de 45 años y su pareja desde hace diez años, sus ganas de ser padre adoptando un bebé. Siente la necesidad interna de ser padre lo antes posible. Leonardo, él mismo siendo adoptado, tiene sus dudas.
Producer
Martín, presentador de televisión de 42 años, expresa a Leonardo, ingeniero agrónomo de 45 años y su pareja desde hace diez años, sus ganas de ser padre adoptando un bebé. Siente la necesidad interna de ser padre lo antes posible. Leonardo, él mismo siendo adoptado, tiene sus dudas.
Director
“Neuquén,” “Eva, can I stab bats in a cave?”... We know about those. What perhaps we don’t know is that there are fans that have turned palindromes into the passion of their lives. A happy journey through four countries, with dozens of men and women for whom the beauty of words lies in symmetry.
The third and last part of the trilogy where we see Moacir as a film director: the film and the scenes that Moacir conceives and shoots - scenes entertained, tragic, dramatic and romantic - with its particular cinematic and aesthetic style. On the other hand, we see the behind the scenes of the construction of this film: a documentary that shows Moacir conducting his fictions, in everyday familiar situations.
Director
The third and last part of the trilogy where we see Moacir as a film director: the film and the scenes that Moacir conceives and shoots - scenes entertained, tragic, dramatic and romantic - with its particular cinematic and aesthetic style. On the other hand, we see the behind the scenes of the construction of this film: a documentary that shows Moacir conducting his fictions, in everyday familiar situations.
Writer
Vergüenza y respeto retrata, a través de cinco generaciones, la vida cotidiana y las costumbres ancestrales de una familia gitana del conurbano bonaerense. Los Campos abren las puertas de su hogar y con ellas también las de una tradición milenaria, obligada hoy a acoplarse al mundo contemporáneo. Una cosa está clara: ser gitano no es fácil, o como dice uno de los protagonistas, "es más fácil decirlo, que serlo". Atravesado por cantos, guitarras, palmas y cajones flamencos, la película es un elegante documental de observación.
Director
Vergüenza y respeto retrata, a través de cinco generaciones, la vida cotidiana y las costumbres ancestrales de una familia gitana del conurbano bonaerense. Los Campos abren las puertas de su hogar y con ellas también las de una tradición milenaria, obligada hoy a acoplarse al mundo contemporáneo. Una cosa está clara: ser gitano no es fácil, o como dice uno de los protagonistas, "es más fácil decirlo, que serlo". Atravesado por cantos, guitarras, palmas y cajones flamencos, la película es un elegante documental de observación.
Executive Producer
A post-apocalyptic universe. A metropolis of two societies. On the surface, a regime that isolates the individuals in elite. A whole city scraped in the underground, where survival is the only law. Up and down don’t merge. Yet the Mole will climb up to fulfil his dreams.
Cinematography
En una pieza descascarada, no más amplia que una celda, Moacir recibe al músico Sergio Pángaro -anteojos negros, bigote anchoíta, parquedad- y planifican la grabación de un disco, con canciones de Moacir Dos Santos, cuyo nivel de entusiasmo es sólo equiparable con el de su simpatía, su candidez (para ser entusiasta se necesita ser cándido), su extravagancia sin impostación. El motor ficcional que es dicha grabación se va transformando en un hecho verdadero, mientras vamos conociendo la vida y pensamientos de Moacir.
Director
En una pieza descascarada, no más amplia que una celda, Moacir recibe al músico Sergio Pángaro -anteojos negros, bigote anchoíta, parquedad- y planifican la grabación de un disco, con canciones de Moacir Dos Santos, cuyo nivel de entusiasmo es sólo equiparable con el de su simpatía, su candidez (para ser entusiasta se necesita ser cándido), su extravagancia sin impostación. El motor ficcional que es dicha grabación se va transformando en un hecho verdadero, mientras vamos conociendo la vida y pensamientos de Moacir.
Cinematography
Jack Fuchs is one of the last Holocaust survivors who currently lives in Buenos Aires. With a serene face, relaxed tone and intelligent humor, it is difficult to connect this Pole with that man who was imprisoned for years in concentration camps, including Auschwitz, and who lost his entire family in World War II. Despite the pain, and after 40 years of silence, Jack offers talks and conferences, receives visitors and cooks for his family and friends. Using animation and images filmed by Fuchs himself as resources, the new documentary by Tomás Lipgot composes the portrait of a survivor of the Nazi genocide who, at almost ninety years old, surprises with his lucidity and enchantment.
Writer
Jack Fuchs is one of the last Holocaust survivors who currently lives in Buenos Aires. With a serene face, relaxed tone and intelligent humor, it is difficult to connect this Pole with that man who was imprisoned for years in concentration camps, including Auschwitz, and who lost his entire family in World War II. Despite the pain, and after 40 years of silence, Jack offers talks and conferences, receives visitors and cooks for his family and friends. Using animation and images filmed by Fuchs himself as resources, the new documentary by Tomás Lipgot composes the portrait of a survivor of the Nazi genocide who, at almost ninety years old, surprises with his lucidity and enchantment.
Director
Jack Fuchs is one of the last Holocaust survivors who currently lives in Buenos Aires. With a serene face, relaxed tone and intelligent humor, it is difficult to connect this Pole with that man who was imprisoned for years in concentration camps, including Auschwitz, and who lost his entire family in World War II. Despite the pain, and after 40 years of silence, Jack offers talks and conferences, receives visitors and cooks for his family and friends. Using animation and images filmed by Fuchs himself as resources, the new documentary by Tomás Lipgot composes the portrait of a survivor of the Nazi genocide who, at almost ninety years old, surprises with his lucidity and enchantment.
Director
Diverse stories of characters who live locked up in institutions of seclusion. Old, crazy, sick and prisoners looking for ways out of the asphyxia that surrounds them.
Producer
The filmmaker, writer and teacher-teacher Ricardo Becher likes extreme decisions, both in his life and in his work. Now, at 80 years of age, he begins a new book called “Recta Final”, about his geriatric experience. Lipgot portrays the present of the filmmaker, at the same time that he reviews his history, from his first shorts and the collaboration with Torre Nilsson, passing through the fundamental "Shot of Grace" (1969) - a film that defied its time and was censored -, leading to the new movement that Becher founded with his students: digital neo-expressionism
Writer
The filmmaker, writer and teacher-teacher Ricardo Becher likes extreme decisions, both in his life and in his work. Now, at 80 years of age, he begins a new book called “Recta Final”, about his geriatric experience. Lipgot portrays the present of the filmmaker, at the same time that he reviews his history, from his first shorts and the collaboration with Torre Nilsson, passing through the fundamental "Shot of Grace" (1969) - a film that defied its time and was censored -, leading to the new movement that Becher founded with his students: digital neo-expressionism
Director
The filmmaker, writer and teacher-teacher Ricardo Becher likes extreme decisions, both in his life and in his work. Now, at 80 years of age, he begins a new book called “Recta Final”, about his geriatric experience. Lipgot portrays the present of the filmmaker, at the same time that he reviews his history, from his first shorts and the collaboration with Torre Nilsson, passing through the fundamental "Shot of Grace" (1969) - a film that defied its time and was censored -, leading to the new movement that Becher founded with his students: digital neo-expressionism
Director
Based on the epic, written on twelve 5000 year old clay tablets, this is the first film adaptation of Gilgamesh.
