Executive Producer
Clarita is 13 years old and lives in Rosario with her parents and sisters. She has an unusual curiosity and a defining passion: astronomy.
Producer
Clarita is 13 years old and lives in Rosario with her parents and sisters. She has an unusual curiosity and a defining passion: astronomy.
Writer
Clarita is 13 years old and lives in Rosario with her parents and sisters. She has an unusual curiosity and a defining passion: astronomy.
Director
Clarita is 13 years old and lives in Rosario with her parents and sisters. She has an unusual curiosity and a defining passion: astronomy.
Writer
Moacir has died, but he’s able to live in images and in Tomás Lipgot’s heart. The director cannot abandon his unforgettable character yet, and so he embarks on a farewell that is also some sort of personal journal made with all the warmth and care in the world.
Director
Moacir has died, but he’s able to live in images and in Tomás Lipgot’s heart. The director cannot abandon his unforgettable character yet, and so he embarks on a farewell that is also some sort of personal journal made with all the warmth and care in the world.
Executive Producer
Мартин очень хочет завести ребёнка. У него есть партнёр по имени Лео, с которым они вместе уже больше десяти лет. Лео сомневается в том, что станет хорошим отцом, так как сам является приёмным ребёнком. Отношения пары накаляются, и им придётся приложить все усилия, чтобы сохранить семью.
Producer
Мартин очень хочет завести ребёнка. У него есть партнёр по имени Лео, с которым они вместе уже больше десяти лет. Лео сомневается в том, что станет хорошим отцом, так как сам является приёмным ребёнком. Отношения пары накаляются, и им придётся приложить все усилия, чтобы сохранить семью.
Director
“Neuquén,” “Eva, can I stab bats in a cave?”... We know about those. What perhaps we don’t know is that there are fans that have turned palindromes into the passion of their lives. A happy journey through four countries, with dozens of men and women for whom the beauty of words lies in symmetry.
The third and last part of the trilogy where we see Moacir as a film director: the film and the scenes that Moacir conceives and shoots - scenes entertained, tragic, dramatic and romantic - with its particular cinematic and aesthetic style. On the other hand, we see the behind the scenes of the construction of this film: a documentary that shows Moacir conducting his fictions, in everyday familiar situations.
Director
The third and last part of the trilogy where we see Moacir as a film director: the film and the scenes that Moacir conceives and shoots - scenes entertained, tragic, dramatic and romantic - with its particular cinematic and aesthetic style. On the other hand, we see the behind the scenes of the construction of this film: a documentary that shows Moacir conducting his fictions, in everyday familiar situations.
Writer
Director
Executive Producer
A post-apocalyptic universe. A metropolis of two societies. On the surface, a regime that isolates the individuals in elite. A whole city scraped in the underground, where survival is the only law. Up and down don’t merge. Yet the Mole will climb up to fulfil his dreams.
Cinematography
Director
Cinematography
Jack Fuchs is one of the last Holocaust survivors who currently lives in Buenos Aires. With a serene face, relaxed tone and intelligent humor, it is difficult to connect this Pole with that man who was imprisoned for years in concentration camps, including Auschwitz, and who lost his entire family in World War II. Despite the pain, and after 40 years of silence, Jack offers talks and conferences, receives visitors and cooks for his family and friends. Using animation and images filmed by Fuchs himself as resources, the new documentary by Tomás Lipgot composes the portrait of a survivor of the Nazi genocide who, at almost ninety years old, surprises with his lucidity and enchantment.
Writer
Jack Fuchs is one of the last Holocaust survivors who currently lives in Buenos Aires. With a serene face, relaxed tone and intelligent humor, it is difficult to connect this Pole with that man who was imprisoned for years in concentration camps, including Auschwitz, and who lost his entire family in World War II. Despite the pain, and after 40 years of silence, Jack offers talks and conferences, receives visitors and cooks for his family and friends. Using animation and images filmed by Fuchs himself as resources, the new documentary by Tomás Lipgot composes the portrait of a survivor of the Nazi genocide who, at almost ninety years old, surprises with his lucidity and enchantment.
Director
Jack Fuchs is one of the last Holocaust survivors who currently lives in Buenos Aires. With a serene face, relaxed tone and intelligent humor, it is difficult to connect this Pole with that man who was imprisoned for years in concentration camps, including Auschwitz, and who lost his entire family in World War II. Despite the pain, and after 40 years of silence, Jack offers talks and conferences, receives visitors and cooks for his family and friends. Using animation and images filmed by Fuchs himself as resources, the new documentary by Tomás Lipgot composes the portrait of a survivor of the Nazi genocide who, at almost ninety years old, surprises with his lucidity and enchantment.
Director
Diverse stories of characters who live locked up in institutions of seclusion. Old, crazy, sick and prisoners looking for ways out of the asphyxia that surrounds them.
Producer
The filmmaker, writer and teacher-teacher Ricardo Becher likes extreme decisions, both in his life and in his work. Now, at 80 years of age, he begins a new book called “Recta Final”, about his geriatric experience. Lipgot portrays the present of the filmmaker, at the same time that he reviews his history, from his first shorts and the collaboration with Torre Nilsson, passing through the fundamental "Shot of Grace" (1969) - a film that defied its time and was censored -, leading to the new movement that Becher founded with his students: digital neo-expressionism
Writer
The filmmaker, writer and teacher-teacher Ricardo Becher likes extreme decisions, both in his life and in his work. Now, at 80 years of age, he begins a new book called “Recta Final”, about his geriatric experience. Lipgot portrays the present of the filmmaker, at the same time that he reviews his history, from his first shorts and the collaboration with Torre Nilsson, passing through the fundamental "Shot of Grace" (1969) - a film that defied its time and was censored -, leading to the new movement that Becher founded with his students: digital neo-expressionism
Director
The filmmaker, writer and teacher-teacher Ricardo Becher likes extreme decisions, both in his life and in his work. Now, at 80 years of age, he begins a new book called “Recta Final”, about his geriatric experience. Lipgot portrays the present of the filmmaker, at the same time that he reviews his history, from his first shorts and the collaboration with Torre Nilsson, passing through the fundamental "Shot of Grace" (1969) - a film that defied its time and was censored -, leading to the new movement that Becher founded with his students: digital neo-expressionism
Director
Based on the epic, written on twelve 5000 year old clay tablets, this is the first film adaptation of Gilgamesh.
