Breno César

While writing an adaptation of the play "4.48 Psychosis", by English playwright Sarah Kane. Luisa (Ingrid Trigueiro) travels to a desert beach with her family. Immersed in the text, Luisa finds the work's impulses increasingly immersed into her own reality, driving her to the threshold of adaptation and delirium. Between theater, sketch, archival images, and complex memories and family relationships, Arthur Lins uses different staging references to compose a small tropical tale about complex creation process.

2050. The world as we know is about to be destroyed by a pink cloud. Away from the cities and lost on inhabited roads, Pedro and Miguel search for eternity.

The return of an absent daughter to the city where she was born -absent for fear of a crisis from her bipolar mother- is the trigger for a family reunion.

Two boys. Two stories that intersect. Two lives united by a condition that defines their existences. Two journeys in search of self-recognition in the mirror.

A series of interviews of torture survivors from Brazil dictorship are mixed with performance.

En el año 2040, la ciudad de Recife (Brasil) está desierta y en ruinas, abandonada por los ricos que emigraron a las colonias espaciales. Un joven, aburrido en su nuevo domicilio, decide regresar. En Recife, redecora su antigua casa y pasa el tiempo leyendo, paseando y relacionándose con varios hombres. Poco a poco, sin embargo, percibe signos extraños y descubre la existencia de una secta secreta.

Batman and Robin struggling to survive in a apocalyptic third world.

While a soccer team plays its games, events are experienced inside the houses. In other spaces, clay and the measure of a family's conflict.