Breno César

While writing an adaptation of the play "4.48 Psychosis", by English playwright Sarah Kane. Luisa (Ingrid Trigueiro) travels to a desert beach with her family. Immersed in the text, Luisa finds the work's impulses increasingly immersed into her own reality, driving her to the threshold of adaptation and delirium. Between theater, sketch, archival images, and complex memories and family relationships, Arthur Lins uses different staging references to compose a small tropical tale about complex creation process.

2050. The world as we know is about to be destroyed by a pink cloud. Away from the cities and lost on inhabited roads, Pedro and Miguel search for eternity.

The return of an absent daughter to the city where she was born -absent for fear of a crisis from her bipolar mother- is the trigger for a family reunion.

Two boys. Two stories that intersect. Two lives united by a condition that defines their existences. Two journeys in search of self-recognition in the mirror.

A series of interviews of torture survivors from Brazil dictorship are mixed with performance.

In the year 2040, the city of Recife, Brazil, is deserted and in ruins, abandoned by the wealthy who migrated to space colonies. One young man, bored in his new address, decides to return. In Recife, he redecorates his old house and spends his time reading, walking and getting involved with various men. Gradually, however, he perceives strange signs and discovers the existence of a secret cult.

Batman and Robin struggling to survive in a apocalyptic third world.

While a soccer team plays its games, events are experienced inside the houses. In other spaces, clay and the measure of a family's conflict.