Sound Re-Recording Mixer
Cuando un joven oficial de policía, el alguacil Shane Cooper, se traslada a la pequeña ciudad de Red Hill con su esposa embarazada, lo hace con la esperanza de comenzar una nueva familia. Pero cuando la noticia de un periodo de prisión en la ciudad envía a los oficiales de policía locales en un pánico, el primer día de Shane en servicio rápidamente va de mal en peor. Jimmy Conway, un asesino condenado a perpetuidad en la cárcel, regresa a la estación aislada en busca de venganza. Ahora, atrapado en medio de lo que se convierte rápidamente en un baño de sangre horripilante, Shane se verá obligado a tomar la ley en sus propias manos si es que quiere sobrevivir. (FILMAFFINITY)
Sound Editor
If Samuel Beckett had lived in Scotland and made a great film, it would be this: a lucid, sometimes funny, and profoundly compassionate study of extreme old age, death, grief and loneliness. These facts of life are revealed in an act of virtuoso film-making that is dedicated, laconic and ultimately - impossible as it may seem - uplifting. A unique experience, this is a very significant and totally original film that will test, and reward any audience. The challenge is to spend time with lonely old people and Dolak is unflinching. He handles words, sounds and image with extreme care. His film is composed of long takes that juxtapose a daily routine alongside the expansive and empty landscapes of the north east, and both shot in exquisitely beautiful monochrome. Everything seems settled and inevitable until the film makes a completely unexpected move into another realm and intimates a further reach of the imagination.
