Chris O'Neill

Johnnie is a foreman of a construction crew. On the outsidem he seems very "normal" and straight, but one evening we see him putting on makeup and a feather boa and going out for a night in the city.

Alex Whitman es un ejecutivo de Manhattan que es destinado a Las Vegas para supervisar la construcción de un local nocturno. Allí conoce a Isabel, una joven de origen mexicano con la que pasa una noche. Tres meses después, el destino vuelve a unirles y Alex descubre que Isabel está embarazada.

Está a punto de cumplirse el vigésimo aniversario de boda de Margaret, y ella desearía celebrar una fiesta, pues su matrimonio no va bien. Cuando averigua que su marido tiene una amante, se hunde en una profunda depresión que la lleva al borde del suicidio. Por su parte, el marido contrata a un hombre para que la mate, ya que tiene un seguro de vida de cinco millones de dólares.

Rod Serling es el autor de las dos historias que componen esta película. En la primera, llamada 'El teatro', una chica ve durante la proyección de una película, escenas de su propia vida mezcladas en la pantalla, incluido un terrorífico futuro. En la segunda, 'Donde la muerte está', un médico practica la autopsia a un hombre fallecido durante una operación de apendicitis, descubriendo que doce años antes había sufrido una fractura de cráneo a la que hubiera sido imposible sobrevivir.

In this tribute to James Joyce, Fionnula Flanagan gives a tour-de-force performance as a half-dozen or so women in Joyce's real and fictional worlds. When she portrays his wife Nora remembering their time together, Flanagan captures the era and the author in lyrical detail. As Sylvia Beach, the woman who first published Ulysses, new dimensions concerning the importance of Nora in Joyce's literary visions of women emerge, and when Flanagan interprets Joyce characters like Molly Bloom or a washerwoman from Finnegan's Wake, the beauty of Joyce's language shines through the melodious words.

The story of Anne Devlin, who was caught up in the revolt of the Irish under Robert Emmett in 1803, told exclusively from the woman's point of view.

Bosco Hogan plays Joyce's alter-ego, Stephen Daedelus, growing up in Ireland in the early part of the 20th century, and at odds with the strictures of his Catholic home and family. The film charts his search for knowledge and understanding, during a decline in his family's circumstances, that leads him to revelations on the nature of art, beauty and politics. However his personal renaissance makes him feel unwelcome in his own country, and forces him to make a choice between exile as artist or staying and facing personal defeat.