Chris O'Neill

Johnnie is a foreman of a construction crew. On the outsidem he seems very "normal" and straight, but one evening we see him putting on makeup and a feather boa and going out for a night in the city.

데낄라 같은 여자, 콜라 같은 남자 라스베이거스 공사 현장에 파견나온 뉴욕 샐러리맨 알렉스(매튜 페리 분). 사진 작가를 지망하는 멕시코 여인 이자벨(살마 헤이엑 분)과 하룻밤을 보낸다. 그는 3개월뒤 임신한 채 나타난 이자벨과 결혼하지만 성장배경이 달라 곡절을 겪는다.

마가렛은 부유하지만 회사와 일 밖에 모르는 남편 잭으로 인해 불행한 결혼생활을 하고 있다. 결혼 20주년 기념일, 잭은 변함없이 회사 일로 집에 들어오지 못한다는 말을 전하고 홀로 남겨진 마가렛이 전화를 끊는 순간, 그녀집에 괴한이 침입한다. 그런데 더욱 놀라운 것은 이 괴한은 남편의 부탁을 받은 살인 청부업자로 마가렛을 죽이러 왔으며 전화벨이 두번 울리면 죽이기로 남편과 약속했다는 것이다. 살아남기 위해 마가렛은 살인 청부업자에게 사정도 해 보고 유혹해 해보고 아부도 해보며 끝없이 실랑이를 벌이게 된다. 그러는 와중에 불만족스런 결혼생활로 인해 정신병원에 다니고 있던 마가렛과 자기로 인해 여동생이 죽어 정신병원에 다닌 적이 있던 괴한 토니는 많은 얘기를 나누게 된다. 그리고 둘은 그러한 공통점 덕분에 차츰 서로를 이해하며 동정하게 되는데...

James Earl Jones hosts this film based on two stories by the late Rod Serling, who wrote the stories of the original 'The Twilight Zone' (1959) series. In "The Theater," a young woman attends a movie theater only to find that her life story is being revealed on the screen. In "Where the Dead Are," a Boston surgeon in 1868 searches for a scientist who may have the answer to a medical mystery.

In this tribute to James Joyce, Fionnula Flanagan gives a tour-de-force performance as a half-dozen or so women in Joyce's real and fictional worlds. When she portrays his wife Nora remembering their time together, Flanagan captures the era and the author in lyrical detail. As Sylvia Beach, the woman who first published Ulysses, new dimensions concerning the importance of Nora in Joyce's literary visions of women emerge, and when Flanagan interprets Joyce characters like Molly Bloom or a washerwoman from Finnegan's Wake, the beauty of Joyce's language shines through the melodious words.

The story of Anne Devlin, who was caught up in the revolt of the Irish under Robert Emmett in 1803, told exclusively from the woman's point of view.

Bosco Hogan plays Joyce's alter-ego, Stephen Daedelus, growing up in Ireland in the early part of the 20th century, and at odds with the strictures of his Catholic home and family. The film charts his search for knowledge and understanding, during a decline in his family's circumstances, that leads him to revelations on the nature of art, beauty and politics. However his personal renaissance makes him feel unwelcome in his own country, and forces him to make a choice between exile as artist or staying and facing personal defeat.