Production Design
«Spitak» cuenta la historia del terremoto armenio más devastador y más grande (en términos de víctimas) que ocurrió el 7 de diciembre de 1988. Este día pasó a la historia como el día de un desastre horrible, que se cobró la vida de más de 25.000 vidas. y dejó a más de medio millón de personas sin hogar. La película «Spitak» es la historia de Gor, que abandonó Armenia en busca de una vida mejor, pero ahora regresa después del terremoto para encontrar su hogar. Su familia. Pero es muy tarde. Todo queda destruido por el desastre. y tiene que volver a aprender a amar lo que se destruyó a sí mismo. Film-Requiem.
Production Design
The action of the famous play about the inhabitants of the flophouse has been transferred to our days. The heroes live in a landfill, look for something to sell in the mountains of garbage, steal and drink. One day, Luka appears at the dump, who tries to comfort these people who have sunk to the bottom of their lives.
Production Design
1990s. Gangster Kiev. A team of four men is assigned to deliver a girl from Prague, nicknamed "Alien", the sister of a recently arrested criminal called Babai, whose testimony could damage some important people.
Production Design
The trucker Fyodor Mukhin is an inveterate bachelor. Women love him, and he does not even remember everyone with whom fate brought him together. He also does not remember the teacher Masha from a small Ural town, from whom one day he receives a telegram asking him to come urgently. Something makes Fedor respond.
Production Design
Lilya (Marina Zubanova) is an approaching-middle-age singleton who lives with and cares for her grandfather and works at a chicken factory. She is determined to get married soon, but hasn’t quite found the man for the job. Most of the story revolves around various failed dates, her conversations with coworkers and family members, and her innocent stalking of a talented local pianist.
Set Decoration
A young driver fascinated by cars suddenly meets a young girl who owns a Ford truck.
Blending dramatic situations with a documentary-influenced visual style, Happy Birthday looks in at a typical day in a Russian maternity hospital. The patients range from a middle aged woman pleased if surprised by her current pregnancy to a Muslim woman whose marriage to a Russian has blighted her relationship with her family. No matter what their situations, the women draw strength and support from each other as they share their common experience.
