Production Design
«Spitak» tells the story of the most devastating and largest (in terms of casualties) Armenian earthquake that happened on December 7, 1988. This day went down in history as the day of a horrible disaster, which claimed the lives of over 25,000 lives and left more than half a million people homeless. The film «Spitak» is the story of Gor, who left Armenia in search of a better life but now returns back after the earthquake in order to find his home. His family. But it's too late. Everything is destroyed by the disaster. and he has to re-learn to love what he destroyed himself. Film-Requiem.
Production Design
The action of the famous play about the inhabitants of the flophouse has been transferred to our days. The heroes live in a landfill, look for something to sell in the mountains of garbage, steal and drink. One day, Luka appears at the dump, who tries to comfort these people who have sunk to the bottom of their lives.
Production Design
1990s. Gangster Kiev. A team of four men is assigned to deliver a girl from Prague, nicknamed "Alien", the sister of a recently arrested criminal called Babai, whose testimony could damage some important people.
Production Design
The trucker Fyodor Mukhin is an inveterate bachelor. Women love him, and he does not even remember everyone with whom fate brought him together. He also does not remember the teacher Masha from a small Ural town, from whom one day he receives a telegram asking him to come urgently. Something makes Fedor respond.
Production Design
Lilya (Marina Zubanova) is an approaching-middle-age singleton who lives with and cares for her grandfather and works at a chicken factory. She is determined to get married soon, but hasn’t quite found the man for the job. Most of the story revolves around various failed dates, her conversations with coworkers and family members, and her innocent stalking of a talented local pianist.
Set Decoration
A young driver fascinated by cars suddenly meets a young girl who owns a Ford truck.
Blending dramatic situations with a documentary-influenced visual style, Happy Birthday looks in at a typical day in a Russian maternity hospital. The patients range from a middle aged woman pleased if surprised by her current pregnancy to a Muslim woman whose marriage to a Russian has blighted her relationship with her family. No matter what their situations, the women draw strength and support from each other as they share their common experience.
