Wedding planner Joanna needs to find herself a fake boyfriend to cheer up her depressed father. As if on demand, an eccentric undertaker enters Joanna's life with her own motives for looking for a girlfriend. At the same time, Joanna receives some earth-shattering news and nothing can ever go back to the way it was.
Hanna se une a su hermana y amigos de la contracultura para crear una parodia de romance en Instagram entre ella y el joven actor Ekku. Hanna comienza a vivir una historia de amor agradable para el público, solo para encontrarse enredada en el pasado sin resolver con su amigo de "nunca fuiste mi novio", Lasse, quien también es el coguionista y director de fotografía de la vida real. Follando con Nadie. La ficción y la auto-ficción chocan y se funden entre sí, ya que la guionista y directora Hannaleena Hauru interpreta el papel principal de una directora de cine siempre soltera, Hanna.
Force of Habit follows the lives of various women throughout one day. Hilla is having a romantic vacation, Emmi is throwing a house party, and Milja is on her way to school when they’re approached by a stranger and things take an unexpected turn. At the same time, Emppu, a young actress, is conflicted as she rehearses for the biggest role of her life. Elsewhere, Aleksi, an inexperienced prosecutor, is preparing for his first court case in haste; Niina, the victim of the crime, has been waiting years to see her case tried. Miia throws a company party, and the mood dramatically changes when her colleague Katja opens up about their boss coming on to her. Miia and a couple of her closest colleagues try to resolve the situation, but how do the others react?
One woman’s desperate struggle to survive a horde of men with frail egos, who just want to explain everything to her. But the biggest horror may be closer to her than she thinks.
Madde, 30, is out shopping with her best friends Aura and Julia, when she suddenly sees a dark figure from the past: her ex-bff Elsi. Traumatized and panicked, Madde tries to hide. However, her friends won’t let her, and she is forced to make peace with her past. It’s Elsi’s turn to listen.
Waste Land is a tragicomic ensemble film about a bunch of kids squatting an abandoned seaside hotel. The shabby hotel offers a life outside the society, at least momentarily. The house is more than a house – it is a utopian space for love, partying and freedom. But can the days of ease last when the squat is confronted both by outside forces and by internal conflicts?
