Ella Lahdenmäki

Ella Lahdenmäki

약력

Finnish actress, graduated from Helsinki Theatre Academy in 2016. She has acted both on stage and on film.

프로필 사진

Ella Lahdenmäki

참여 작품

Häät ennen hautajaisia
Paula
Wedding planner Joanna needs to find herself a fake boyfriend to cheer up her depressed father. As if on demand, an eccentric undertaker enters Joanna's life with her own motives for looking for a girlfriend. At the same time, Joanna receives some earth-shattering news and nothing can ever go back to the way it was.
퍽킹 위드 노바디
Haastattelija ensi-illassa
Hanna teams up with her sister and counterculture friends to create a parody romance on Instagram between herself and young actor Ekku. Hanna starts living a crowd-pleasing love story for the public, only to find herself tangled up in the unresolved past with her “you were never my boyfriend” friend Lasse, who also happens to be the real-life co-writer and cinematographer of Fucking with Nobody. Fiction and auto-fiction crash and melt into each other, as writer-director Hannaleena Hauru plays the lead role of an ever-single film director Hanna.
관습의 폭력성
Liisa
일곱 명의 핀란드 여성 감독은 나쁜 관습에 맞서 관습의 폭력성을 만들었다. 카메라는 여섯 명의 여성을 각각 담아내며 이들이 길거리나 직장, 술집, 법원, 심지어 연극 무대에서 받는 다양한 고통을 보여준다.
헬싱키 맨스플레인 대학살
Roosa
One woman’s desperate struggle to survive a horde of men with frail egos, who just want to explain everything to her. But the biggest horror may be closer to her than she thinks.
#barewithme
Madde
Madde, 30, is out shopping with her best friends Aura and Julia, when she suddenly sees a dark figure from the past: her ex-bff Elsi. Traumatized and panicked, Madde tries to hide. However, her friends won’t let her, and she is forced to make peace with her past. It’s Elsi’s turn to listen.
Waste Land
Waste Land is a tragicomic ensemble film about a bunch of kids squatting an abandoned seaside hotel. The shabby hotel offers a life outside the society, at least momentarily. The house is more than a house – it is a utopian space for love, partying and freedom. But can the days of ease last when the squat is confronted both by outside forces and by internal conflicts?