Eric Guslén

A young inexperienced man rekindles his emotional and intimate relationship with his only love–his charming, and talking, childhood teddy bear.

Un artista ha escogido a un famoso actor masculino para que juntos, en el contexto de un largometraje, se deconstruyan a sí mismos y a sus papeles invasivos. Se involucran en un juego sin límites con su entorno en una exploración de la identidad, masculina y femenina.

Emil and Adam are two guys in their 20's. They are close friends, and after a night at the movies, Emil is going to sleep over at Adam's. Emil has unspoken feelings for Adam - feelings that are tested when they are sleeping in the same double bed.

Emil and Adam are two guys in their 20's. They are close friends, and after a night at the movies, Emil is going to sleep over at Adam's. Emil has unspoken feelings for Adam - feelings that are tested when they are sleeping in the same double bed.

The girlfriend Klara has recently fallen in love and wants nothing more than to hang out with her boyfriend. The mother-of-two Anna clocks how long it takes for her husband to cook baby formula. The ex-wife Vera can't let go of her ex-husband. The feature-film debuting Katja Wik presents a squib right on the money about women's tendency to, both consciously and unconsciously, limit themselves in their close relationships of two. Each frame conveys the film's theme of power manipulation and Katja Wik's neologism "victim-mentality rhetoric" (offerrollsretorik) is used by all parties as an effective weapon. Without stagnating in bitterness, The Ex-wife serves as a funhouse mirror reflecting this disturbing trait, which most of us can recognize, but which few dare to acknowledge

Erik's boyfriend Marely left him. Now, the last chance for Erik to get him back is to make this movie to explain, that the only reason he sold sex was so they could afford to become parents one day.