Eric Guslén

참여 작품

Bear
Sound Designer
A young inexperienced man rekindles his emotional and intimate relationship with his only love–his charming, and talking, childhood teddy bear.
X&Y
Foley Artist
창고를 개조한 세트장, 비주얼 아티스트이자 영화감독 안나 오델이 실험을 시작한다. 목표는 오늘날의 사회가 남녀에게 규정한 젠더 역할에 도전하는 것. 그녀는 남성성의 아이콘인 배우 미카엘 페르스브란트와 7명의 또 다른 탑 배우들을 초대한다. 이들은 그곳에서 함께 생활하면서 안나 오델과 미카엘의 분신을 연기하며 때로는 흥미롭고 또 때로는 불쾌한 상황을 마주하게 된다.
슬립오버
Boom Operator
Emil and Adam are two guys in their 20's. They are close friends, and after a night at the movies, Emil is going to sleep over at Adam's. Emil has unspoken feelings for Adam - feelings that are tested when they are sleeping in the same double bed.
슬립오버
Sound Designer
Emil and Adam are two guys in their 20's. They are close friends, and after a night at the movies, Emil is going to sleep over at Adam's. Emil has unspoken feelings for Adam - feelings that are tested when they are sleeping in the same double bed.
The Ex-Wife
Sound
The girlfriend Klara has recently fallen in love and wants nothing more than to hang out with her boyfriend. The mother-of-two Anna clocks how long it takes for her husband to cook baby formula. The ex-wife Vera can't let go of her ex-husband. The feature-film debuting Katja Wik presents a squib right on the money about women's tendency to, both consciously and unconsciously, limit themselves in their close relationships of two. Each frame conveys the film's theme of power manipulation and Katja Wik's neologism "victim-mentality rhetoric" (offerrollsretorik) is used by all parties as an effective weapon. Without stagnating in bitterness, The Ex-wife serves as a funhouse mirror reflecting this disturbing trait, which most of us can recognize, but which few dare to acknowledge
We Could Be Parents
Sound Recordist
Erik's boyfriend Marely left him. Now, the last chance for Erik to get him back is to make this movie to explain, that the only reason he sold sex was so they could afford to become parents one day.