An Ogawa

After his shot at a record deal falls through, Jun transfers to sleepy Nagoya and begins busking songs by his favourite 1970s glam rock band, Exne Kedy. The music catches the eye of fellow fan Ibuki and the pair soon fall in love over their shared musical taste. But as responsibilities mount, they drift apart… Until Exne Kedy announces a reunion tour. Part teenage romance, part fictitious vehicle for Ide Kensuke and producer Yo Ishihara’s latest project (of Boris and Ogre You Asshole fame), Daisuke Miyazaki’s Plastic is a colorful, rock-inflected coming-of-age tale.

A young woman spends a day in some non-place between town and countryside, has random encounters and watches stones skip over the surface of the river. Tatsunari Ota’s film explores a world without productivity and finds joy in idle time and playfulness.

Sanae (An Ogawa) is a high school girl preparing to take university entrance exams. She isn't very good at socializing. She wants to hurry up and become an adult, but it isn't going very well. Over summer vacation, Sanae's sister comes home from college in Tokyo, and her parents decide to hire a housekeeper. Yusuke (Hoshi Ishida), is rough around the edges and a little scary. The people close to him find him a mystery. As Sanae gets to know him, she begins to feel they have something in common. A journey through sweet love and bitter memories.

This is the question posited by director Nakamura Yutaro at the start of his latest film, a series of vignettes that bleed into each other. Memories? dreams? Whatever they are, they belong to highschooler Hikari who, along with a friend named Yujiro, get involved with an emotionally unstable man named Takaya. Flash-forward a decade or so and they are all 20-somethings bumbling around on New Year’s Eve night. Hikari has picked up an admirer, Kotaro, while Takaya is shacked up with a young woman named Anzu. A tumultuous night together leads to a quarrel and a truly bizarre New Year’s Day. It’s not a straightforward experience as we surf through these experiences and question whether they are imagined but the feeling of airy freedom and endless possibilities at the end is pleasant.

21st Century Girl is an omnibus feature that is of the girls, by the girls and for the girls. The work of 15 women directors under the age of 30, each of whom contributed an 8-minute film, the package highlights a range of genres, visions and thematic concerns.

Aoi, an aspiring filmmaker/ assistant director who visits the office of Toriumi, an independent film producer, seeking an opportunity to collaborate with him. Toriumi likes her screenplay and shows his interest in producing her directorial debut film. However, despite Aoi’s delight, the discussion starts to derail. When Aoi refuses to accept the producer’s irrational demands, he shows doubt in her ability to act on unexpected situations. Is he testing her aptitude or just trying to take advantage of her? Confused, she gets lost between doubt and desperation to believe in her dream opportunity.

Mio is 20 years old. Having lost her parents early, she and her grandmother run a traditional inn in Nagano. However, her grandmother gets sick. Mio moves to Tokyo and lives with her father’s best friend, Kyosuke. He runs a public bath. She begins to work at the public bath, but it is scheduled to be demolished to make way for redevelopment.

In the summer of 2001, Ryo Hagio, a high school student living in a country town by the sea, is spending his last summer vacation in high school with his classmates Manabu, Kosugi, and Hotta. One day, he meets Wang Jia-ling, a foreign exchange student from Taiwan who dreams of becoming a dolphin trainer. Ryo, who hates dolphins and the ocean, is at odds with Ling, but when he learns of her true feelings about coming to Japan, they begin to have a heart-to-heart talk...

Rei is unable to express her opinions well due to her introverted nature. Her time with her boyfriend, NAKAMURA, is calm but nothing passionate. One night, Rei strongly wishes that she could meet her real father, who was separated from her at an early age by her parents’ divorce. From that night onward, introverted Rei’s heart burns with an enduring passion. Through conversations with her mother, complicated memories, dreams and her reunion with her father, Rei’s thoughts about her family are gradually revealed.

Yuko, a former leader of the five-member idol group Pinkerton, with the help of man named Matsumoto, tries to reunite the now-disbanded group.

Yuzo, a mosaic engineer for porn videos, lives under the same roof as Mitsuki, a high school student with whom he leads a peculiar life. One day, Yuzo receives a phone call from Mitsuki's sister.

Toru, a high schooler, decides to leave his grandmother's home in the mountains and moves in with his aunt. There he meets three sisters at his welcome party. On his way to his new home, he is struck by one of the sisters' beauty. A boy who spent his life quietly like a plant starts to take action on his own.