Siti Asifa Nasution

Navigates the conflicts faced by a transgender woman within her family and community

Set in the post-pandemic period, the Cemara Family begins a new chapter in their lives. Abah gets a new job, Euis grows up to be a teenager, and Mom focuses on taking care of the youngest, Agil. While everyone was focused on their respective activities, Ara felt left out. How can this family get through this new phase of life?

Raja & Asia have the same responsibility, taking care of their two single parents respectively. If Raja wants to live independently like his two sisters, Asia has chosen to be devoted to her mother who she feels has sacrificed everything for her. Then, Dewa & Linda, their parents, began to unite their hearts. Raja was happy, Asia hesitated. When Raja convinces Asia that their parents are compatible together, Raja & Asia slowly fall in love.

Raja & Asia have the same responsibility, taking care of their two single parents respectively. If Raja wants to live independently like his two sisters, Asia has chosen to be devoted to her mother who she feels has sacrificed everything for her. Then, Dewa & Linda, their parents, began to unite their hearts. Raja was happy, Asia hesitated. When Raja convinces Asia that their parents are compatible together, Raja & Asia slowly fall in love.

Las chispas saltan cuando una bloguera de moda en Bali conoce a un talentoso zapatero, lo que la lleva a cuestionar su compromiso con su prometido.

Young love leads to heartbreak for two star-crossed high school students when an unplanned pregnancy has agonizing consequences for their families.

After bankruptcy, Abah and Emak must adapt to a new life with their children in a remote village.

After a fateful meeting of a widow and a young entrepreneur with Alzheimer's, friendship between the two blossoms following the man's request to make traditional mooncakes.

A young man living alone in Italy faces the mysterious arrival of a woman who claims to be his time-traveling wife from the future.

A young man living alone in Italy faces the mysterious arrival of a woman who claims to be his time-traveling wife from the future.

Set in Indonesia's Dutch colonial era, in 1927, a young and beautiful woman lives with her sick and aged Dutch husband. This woman loses her own name and is called Njai, which means a foreigner's concubine, and realizes that she is living in a kind of prison, while she deals with loads of visitors to her residence. Director Garin Nugroho shows in a distinctive way how much effort a woman, deserted both by the colonial country's law and the colonized country's traditional culture, puts in to retain her dignity.

Set in Indonesia's Dutch colonial era, in 1927, a young and beautiful woman lives with her sick and aged Dutch husband. This woman loses her own name and is called Njai, which means a foreigner's concubine, and realizes that she is living in a kind of prison, while she deals with loads of visitors to her residence. Director Garin Nugroho shows in a distinctive way how much effort a woman, deserted both by the colonial country's law and the colonized country's traditional culture, puts in to retain her dignity.

A young woman keeps meeting another man at the same train. Both assumes that if fate would have it, then they will have a chance to meet the next time. Will fate be on their side?

Rachel is a tomboy girl whose childhood friend is Farel. Their friendship is tested when Farel falls in love with Luna, a feminine girl that makes Rachel wrecked by jealousy.

Mel has a successful life. It all changes when her fiancé, Joe, is involved with another woman. She changes drastically and had all her friends worried. They decide to introduce Mel to Are, a book store owner and brownies baker. When Mel and Are fall in love, Joe reappears and tries to reclaim his love for Mel.

Berlian and her teenage daughter Daya are on the run from political violence. Constantly daydreaming that her absent father will return, young Daya chafes under the stern hand of her mother. Forced to move inland from their seaside home to a desert of constantly shifting sands, the pair settle down to their familiar antagonism. Finally, Daya sees a vaguely familiar face shuffle in from across the wasteland.

It's an Indonesian drama musical about young boy named Jojo and Jejen are two homeless kids who must look for money after school. They go to shopping centers to busk and help people to bring their shopping. Jejen has a nice mother, whereas Jojo's stepmother is evil even though he's the smartest kid in school