Siti Asifa Nasution

오랫동안 도시에서 성공적인 커리어를 쌓아 온 트랜스젠더 여성 사라는 아버지의 장례식에 참석하기 위해 외딴 고향으로 돌아온다. 낯설게 변한 시골 마을은 더욱 보수화되었고 그녀의 어머니는 기억 상실증으로 그녀를 완전히 남처럼 대한다. 사람들의 미묘한 감정이 섬세하게 드러나는 가운데 희생, 트라우마, 가족, 화해에 관한 이야기가 전개된다. 아무도 자신이 태어난 가정을 선택할 순 없었지만, 자신의 삶을 원하는 방식으로 선택할 순 있다.

Set in the post-pandemic period, the Cemara Family begins a new chapter in their lives. Abah gets a new job, Euis grows up to be a teenager, and Mom focuses on taking care of the youngest, Agil. While everyone was focused on their respective activities, Ara felt left out. How can this family get through this new phase of life?

Raja & Asia have the same responsibility, taking care of their two single parents respectively. If Raja wants to live independently like his two sisters, Asia has chosen to be devoted to her mother who she feels has sacrificed everything for her. Then, Dewa & Linda, their parents, began to unite their hearts. Raja was happy, Asia hesitated. When Raja convinces Asia that their parents are compatible together, Raja & Asia slowly fall in love.

Raja & Asia have the same responsibility, taking care of their two single parents respectively. If Raja wants to live independently like his two sisters, Asia has chosen to be devoted to her mother who she feels has sacrificed everything for her. Then, Dewa & Linda, their parents, began to unite their hearts. Raja was happy, Asia hesitated. When Raja convinces Asia that their parents are compatible together, Raja & Asia slowly fall in love.

결혼을 앞둔 패션 블로거. 우연히 신발 가게에 들어갔다가 재능 넘치는 구두 장인을 만난다. 구두 한 켤레로 시작된 해프닝으로 그와 가까워지더니 급기야 약혼자와의 미래를 고민하게 되는데.

임신 중인 다라와 비마는 졸업 때까지 임신 사실을 숨기려고 노력한다. 하지만 비밀이 곧 탄로나고 그들은 많은 사회적 압력과 요구를 받게 된다. 다작 각본가 기나 S. 누르의 감독 데뷔작은 비전통적인 십대 임신 이야기를 통해 구식과 신식의 구분과 다양한 가족 구성에 대해 사려 깊게 다룬다.

아바, 에막 그리고 두 딸들 으이스와 쩌마라에 대한 내용이다. 사업이 망하고 파산 신청을 해야 할 상황에 놓이면서 아바의 가족은 돈만으로는 해결될 수 없는 어려운 시련을 겪게 된다

After a fateful meeting of a widow and a young entrepreneur with Alzheimer's, friendship between the two blossoms following the man's request to make traditional mooncakes.

A young man living alone in Italy faces the mysterious arrival of a woman who claims to be his time-traveling wife from the future.

A young man living alone in Italy faces the mysterious arrival of a woman who claims to be his time-traveling wife from the future.

Set in Indonesia's Dutch colonial era, in 1927, a young and beautiful woman lives with her sick and aged Dutch husband. This woman loses her own name and is called Njai, which means a foreigner's concubine, and realizes that she is living in a kind of prison, while she deals with loads of visitors to her residence. Director Garin Nugroho shows in a distinctive way how much effort a woman, deserted both by the colonial country's law and the colonized country's traditional culture, puts in to retain her dignity.

Set in Indonesia's Dutch colonial era, in 1927, a young and beautiful woman lives with her sick and aged Dutch husband. This woman loses her own name and is called Njai, which means a foreigner's concubine, and realizes that she is living in a kind of prison, while she deals with loads of visitors to her residence. Director Garin Nugroho shows in a distinctive way how much effort a woman, deserted both by the colonial country's law and the colonized country's traditional culture, puts in to retain her dignity.

A young woman keeps meeting another man at the same train. Both assumes that if fate would have it, then they will have a chance to meet the next time. Will fate be on their side?

Rachel is a tomboy girl whose childhood friend is Farel. Their friendship is tested when Farel falls in love with Luna, a feminine girl that makes Rachel wrecked by jealousy.

Mel has a successful life. It all changes when her fiancé, Joe, is involved with another woman. She changes drastically and had all her friends worried. They decide to introduce Mel to Are, a book store owner and brownies baker. When Mel and Are fall in love, Joe reappears and tries to reclaim his love for Mel.

Berlian and her teenage daughter Daya are on the run from political violence. Constantly daydreaming that her absent father will return, young Daya chafes under the stern hand of her mother. Forced to move inland from their seaside home to a desert of constantly shifting sands, the pair settle down to their familiar antagonism. Finally, Daya sees a vaguely familiar face shuffle in from across the wasteland.

It's an Indonesian drama musical about young boy named Jojo and Jejen are two homeless kids who must look for money after school. They go to shopping centers to busk and help people to bring their shopping. Jejen has a nice mother, whereas Jojo's stepmother is evil even though he's the smartest kid in school