Thanks
A delicate portrait of Mei Shigenobu, daughter of the founder of the Japanese Red Army in Beirut, Fusako Shigenobu.
Novel
Haruma is an up-and-coming photographer who is getting full exposure at a photo exhibition in a Tokyo photo gallery. Rei, a beautiful curator at the Yamanashi Prefectural Art Museum, is fascinated by the photos she sees and calls Haruma to request a photo-shoot with an intimate part of herself as the subject. The only rules to this shoot are that no questions must be asked and Rei will be given the negatives. Haruma is initially surprised but goes along with the job, however, Haruma’s pregnant girlfriend Natsumi grows frustrated over being kept in the dark about their work and jealousy develops in their relationship as passions blow up.
Haruma is an up-and-coming photographer who is getting full exposure at a photo exhibition in a Tokyo photo gallery. Rei, a beautiful curator at the Yamanashi Prefectural Art Museum, is fascinated by the photos she sees and calls Haruma to request a photo-shoot with an intimate part of herself as the subject. The only rules to this shoot are that no questions must be asked and Rei will be given the negatives. Haruma is initially surprised but goes along with the job, however, Haruma’s pregnant girlfriend Natsumi grows frustrated over being kept in the dark about their work and jealousy develops in their relationship as passions blow up.
During a suicide attack on an airport, the hand grenade of 'M', one of three terrorists, malfunctions, leaving him captured. Exposed to maltreatment in prison, he slowly loses his grip on reality as he is forced to confront his ideological convictions.
Self
Making-of documentary for Masao Adachi's "Prisoner/Terrorist"
The year before, I had made a film about the poet Tsutomu Shotsu, and I wanted to make a film about Hiromi Ito, a young female poet on the rise. As I was talking with her, she told me that she loves to pull out hair, and when I asked her about it, her story touched on the sense of life. I decided to film her talking about it. She said that when she pulls out her own hair, she gets excited because she is aware of both herself pulling out and herself being pulled out. Skin is a problem, she said. As I was filming, I was surprised to find that her story had become a great theory of the body. For the introduction, I borrowed a song by Hikashu. Produced in 1981. The artist was 46 years old. (Suzuki Shiroyasu).
