Thanks
A delicate portrait of Mei Shigenobu, daughter of the founder of the Japanese Red Army in Beirut, Fusako Shigenobu.
Novel
사진작가인 하루마는 어느날 한 여인으로부터 사진촬영 의뢰를 받는다. 외딴 별장에서 촬영을 하게 된 하루마는 어떠한 질문도 하지 않을 것과 촬영한 필름을 넘긴다는 조건 아래 의뢰인의 은밀한 곳을 촬영할 것을 부탁받는다. 처음에는 당황했지만 그는 점점 촬영에 진심을 다하게 된다.
사진작가인 하루마는 어느날 한 여인으로부터 사진촬영 의뢰를 받는다. 외딴 별장에서 촬영을 하게 된 하루마는 어떠한 질문도 하지 않을 것과 촬영한 필름을 넘긴다는 조건 아래 의뢰인의 은밀한 곳을 촬영할 것을 부탁받는다. 처음에는 당황했지만 그는 점점 촬영에 진심을 다하게 된다.
During a suicide attack on an airport, the hand grenade of 'M', one of three terrorists, malfunctions, leaving him captured. Exposed to maltreatment in prison, he slowly loses his grip on reality as he is forced to confront his ideological convictions.
Self
Making-of documentary for Masao Adachi's "Prisoner/Terrorist"
The year before, I had made a film about the poet Tsutomu Shotsu, and I wanted to make a film about Hiromi Ito, a young female poet on the rise. As I was talking with her, she told me that she loves to pull out hair, and when I asked her about it, her story touched on the sense of life. I decided to film her talking about it. She said that when she pulls out her own hair, she gets excited because she is aware of both herself pulling out and herself being pulled out. Skin is a problem, she said. As I was filming, I was surprised to find that her story had become a great theory of the body. For the introduction, I borrowed a song by Hikashu. Produced in 1981. The artist was 46 years old. (Suzuki Shiroyasu).
