Yann Demange

Película protagonizada por Mahershala Ali, encarnando a Blade, el famoso cazavampiros de Marvel Comics, creado por el escritor Marv Wolfman y el dibujante Gene Colan, su primera aparición fue en el comic book La tumba de Drácula número 10 (julio de 1973) como un personaje secundario.

Returning to Paris, a man moves through memories of his past and surreal fragments of the present, searching for connection with his estranged father. On his journey, he meets a French-Algerian woman. As their intimacy grows, he is confronted with his shame and fears while exploring his lost Arab identity… Behind Paris is Algiers.

Returning to Paris, a man moves through memories of his past and surreal fragments of the present, searching for connection with his estranged father. On his journey, he meets a French-Algerian woman. As their intimacy grows, he is confronted with his shame and fears while exploring his lost Arab identity… Behind Paris is Algiers.

Narra la historia real del adolescente Richard Wershe Jr., conocido como 'White Boy Rick', que se convirtió en la década de los 80, a la edad de 14 años, en el informante inflitrado para el FBI más joven de la historia.

Corre el año 1971, y la tensión social en Irlanda del Norte está escalando hacia una situación casi de guerra civil. Tras un motín y un enfrentamiento muy violento entre vecinos de un barrio y el ejército, un joven soldado británico con poca experiencia, Gary, se extravía en las peligrosas calles de Belfast, donde el conflicto del IRA está en plena ebullición, y donde patrullan unidades paramilitares y bandas radicales callejeras.

Two brothers out for a night of shagging instead bring up their hidden tensions

Two brothers out for a night of shagging instead bring up their hidden tensions

The feature adaptation of the novel which tackles the global refugee crisis and takes place in an unidentified country in the Middle East, where young Saeed and burqa-wearing Nadia flee their home after Saeed’s mother is killed by a stray bullet stemming from violent clashes between guerrillas and the local government. The couple joins other migrants traveling to safer havens via carefully guarded doors. Through one door, they wind up in a crowded camp on the Greek Island of Mykonos. Through another, they secure a private room in an abandoned London mansion populated mostly by displaced Nigerians. A third door takes them to California’s Marin County. In each location, their relationship is tested by their struggle to find food, adequate shelter and a sense of belonging among emigrant communities. The allegorical tale shows the contrast between the migrants’ tenuous daily reality and that of the privileged native population who’d prefer that they disappear.