Yann Demange

Yann Demange

출생 : 1977-01-01, Paris - France

프로필 사진

Yann Demange

참여 작품

블레이드
Director
A film set in the Marvel Cinematic Universe (MCU) based on the Marvel Comics character of the same name.
Dammi
Writer
Returning to Paris, a man moves through memories of his past and surreal fragments of the present, searching for connection with his estranged father. On his journey, he meets a French-Algerian woman. As their intimacy grows, he is confronted with his shame and fears while exploring his lost Arab identity… Behind Paris is Algiers.
Dammi
Director
Returning to Paris, a man moves through memories of his past and surreal fragments of the present, searching for connection with his estranged father. On his journey, he meets a French-Algerian woman. As their intimacy grows, he is confronted with his shame and fears while exploring his lost Arab identity… Behind Paris is Algiers.
화이트 보이 릭
Director
길거리에 마약이 넘쳐나던 80년대 디트로이트. 낙후된 지역의 10대 소년이 FBI의 정보원이 된다. 이후 아버지와 함께 본격적인 마약 판매에 뛰어들며 처음으로 큰돈을 만지지만, 모든 일엔 항상 끝이 있는 법. 실화를 바탕으로 했다.
71: 벨파스트의 눈물
Director
1971년 북아일랜드, 어린 동생의 부양을 위해 군대에 지원하게 된 게리 후크. 그는 국내 분쟁 지역의 시위대 진압을 위해 벨파스트로 파병된다. 정부 경찰의 폭력적인 진압과 과격한 구교도의 데모의 혼란 속, 게리 후크는 동료와 적대적인 세력이 가득한 지역 속에 고립되게 되고, 급기야 함께 낙오된 동료는 북아일랜드 독립을 추진하는 급진 무장파에 죽임을 당한다. 총알이 빗발치는 벨파스트, 그는 무사히 살아남아 돌아갈 수 있을 것인가…
Alan & Samir
Writer
Two brothers out for a night of shagging instead bring up their hidden tensions
Alan & Samir
Director
Two brothers out for a night of shagging instead bring up their hidden tensions
Exit West
Director
The feature adaptation of the novel which tackles the global refugee crisis and takes place in an unidentified country in the Middle East, where young Saeed and burqa-wearing Nadia flee their home after Saeed’s mother is killed by a stray bullet stemming from violent clashes between guerrillas and the local government. The couple joins other migrants traveling to safer havens via carefully guarded doors. Through one door, they wind up in a crowded camp on the Greek Island of Mykonos. Through another, they secure a private room in an abandoned London mansion populated mostly by displaced Nigerians. A third door takes them to California’s Marin County. In each location, their relationship is tested by their struggle to find food, adequate shelter and a sense of belonging among emigrant communities. The allegorical tale shows the contrast between the migrants’ tenuous daily reality and that of the privileged native population who’d prefer that they disappear.