Sergei, always hanging out on business trips, dreams of being on a "desert island" with his beloved Masha. A pandemic that suddenly hit the world gives him this chance by locking his lovers at home in quarantine. “In a cage,” lovers, having gone through five stages of accepting the inevitable, are forced to get to know each other anew and accept themselves and the world around as it is. And everything would be fine if not for the invasion of aliens.
Michael's perfect life changes dramatically when he discovers a portal wich allows him to travel in time. He travels back to the World War II to go through the quest of time and find his one and only beloved.
Vanya es un niño ruso de 6 años que vive en un orfanato, una institución destartalada y sobrepoblada, donde los niños esperan ansiosos que alguien vaya a adoptarles.
Director Andrey Kalistratov is making a multi-part television film about the literary life of Petrograd after the Civil War, about the House of Arts, which was created by the Bolsheviks to control the creative intelligentsia. Modern Petersburg and Petrograd of 1921 are intricately intertwined in the director's mind. The cruel, bloody, but romantic world of the first years of the revolution and the artistic and everyday environment of modern cinema coexist in one space. The main characters of the film that Kalistratov is shooting - the poet and former officer Pyotr Versilov, his girlfriend Olga, the French documentary cameraman Etienne Faberge and his wife Francoise - are as real to the director as the people around him-the film's producer Semyon Mikhailovich, the film crew, actors, friends, acquaintances, relatives. Despite the demands of the producer to be "simpler" and "more economical", Kalistratov wants to make a real historical film, not a standard TV series "soap".
El Marqués de Coustine, un diplomático francés del siglo XVIII con una relación de amor/odio hacia Rusia se encuentra en un viaje en el tiempo en el Palacio de Invierno de San Petersburgo -desde los tiempos de Pedro el Grande hasta nuestros días. Con él, un invisible realizador ruso (en off), que está confuso sobre la posición de Rusia en Europa.
