Sergei, always hanging out on business trips, dreams of being on a "desert island" with his beloved Masha. A pandemic that suddenly hit the world gives him this chance by locking his lovers at home in quarantine. “In a cage,” lovers, having gone through five stages of accepting the inevitable, are forced to get to know each other anew and accept themselves and the world around as it is. And everything would be fine if not for the invasion of aliens.
채석장을 짓기 위해 공사를 진행하려던 미카일은 유해 발굴을 위해 공사를 중단해달라고 부탁하는 엘리자베타에게 첫눈에 반한다. 하지만 둘은 공사 담당자의 실수로 큰 부상을 입고, 미카일은 과거로 돌아가게 된다. 그 곳에서 전쟁을 겪으며 주변의 군인들이 자신과 연관이 있음을 알게되는데…
Director Andrey Kalistratov is making a multi-part television film about the literary life of Petrograd after the Civil War, about the House of Arts, which was created by the Bolsheviks to control the creative intelligentsia. Modern Petersburg and Petrograd of 1921 are intricately intertwined in the director's mind. The cruel, bloody, but romantic world of the first years of the revolution and the artistic and everyday environment of modern cinema coexist in one space. The main characters of the film that Kalistratov is shooting - the poet and former officer Pyotr Versilov, his girlfriend Olga, the French documentary cameraman Etienne Faberge and his wife Francoise - are as real to the director as the people around him-the film's producer Semyon Mikhailovich, the film crew, actors, friends, acquaintances, relatives. Despite the demands of the producer to be "simpler" and "more economical", Kalistratov wants to make a real historical film, not a standard TV series "soap".
어느 영화 감독이 한순간 마술처럼 18세기 초의 상트페테르부르크의 에르미타주 궁으로 가게 된다. 어느 누구도 감독을 보지 못하지만, 오로지 검은 옷을 입은 남자만이 감독을 본다. 검은 옷의 남자는 19세기에서 온 프랑스 외교관이였다. 감독과 외교관은 격동의 러시아 한가운데에서 놀라운 역사의 현장을 목격한다.
