Ortodoksipappi
Rousku and Raninen are fleeing their unemployment by setting up a construction company. Occupational illiteracy is not an obstacle and accounting is fine when Rouskun's mate deals with things. The entrepreneurs know that the poor can be, but not artificial. But what's the point for the scratchy women? Especially when Rousku gets to look in the mirror again and find out what kind of father, such a daughter.
Writer
Rousku and Raninen are fleeing their unemployment by setting up a construction company. Occupational illiteracy is not an obstacle and accounting is fine when Rouskun's mate deals with things. The entrepreneurs know that the poor can be, but not artificial. But what's the point for the scratchy women? Especially when Rousku gets to look in the mirror again and find out what kind of father, such a daughter.
Writer
Un grupo de dinosaurios aficionados al heavy metal viven en el interior de una montaña junto a la bruja que les crió. Un día, esta les obliga a ir a conocer el mundo exterior, donde viven una aventura junto a dos niños.(FILMAFFINITY)
Screenplay
Antero Rousku is a storeman in a paint store. His job requires raw muscle power, mixing paints and carrying house repair materials around to earn his daily bread. But the basic salary is not enough for Rousku. He also sells a lot of stuff on the side from the storeroom directly to Jylhäkorpi, a frequent visitor, bypassing company bookkeeping. Rousku's colleague in the cellar storeroom is Raninen whose life consists of work, quarreling with his wife, and lottery. Raninen wants to win the main prize but he wants to have the right numbers in exactly the order in which they appear from the lottery machine. Raninen is not the sharpest pencil in the pencil box. Rousku's freedom is threatened by his relationship to the saleswoman Karita. Rousku wants to keep a distance to the woman except in bed. Karita has decided otherwise.
Writer
Writer
A story of a priest, who considers himself as a rebel is suddenly asked to run for bishop of Turku.
Writer
In a religious rural community in the 1950s, Ritva, a young woman has kept her pregnancy a secret. Helped by her sister, she gives birth but soon abandons the baby. The next day the infant is brought to the hospital where Ritva works. Troubled with shame, Ritva finds consolation from a dying priest.
