Ortodoksipappi
Rousku and Raninen are fleeing their unemployment by setting up a construction company. Occupational illiteracy is not an obstacle and accounting is fine when Rouskun's mate deals with things. The entrepreneurs know that the poor can be, but not artificial. But what's the point for the scratchy women? Especially when Rousku gets to look in the mirror again and find out what kind of father, such a daughter.
Writer
Rousku and Raninen are fleeing their unemployment by setting up a construction company. Occupational illiteracy is not an obstacle and accounting is fine when Rouskun's mate deals with things. The entrepreneurs know that the poor can be, but not artificial. But what's the point for the scratchy women? Especially when Rousku gets to look in the mirror again and find out what kind of father, such a daughter.
Writer
10살 토니와 여자친구 수이는 학교 친구들과 간 놀이동산에서 ‘헤비메탈 사우르스’를 발견한다. 헤비메탈 사우르스는 공룡같이 생긴 생명체로 먹는 것과 하드록 밖에 알지 못한다. 온순하고 재미있을 뿐만 아니라 어떻게 무대를 휘어잡아야 하는지도 알고 있는 헤비메탈사우르스이지만, 돈을 벌 목적으로 그들을 이용하려 드는 기업가 맥심은 그들을 계속 가두어 놓는다. 수이와 토니는 이 공룡 친구들을 구하기 위해서 함께 싸워야만 한다! [제 11회 부산국제어린이청소년영화제]
Screenplay
Antero Rousku is a storeman in a paint store. His job requires raw muscle power, mixing paints and carrying house repair materials around to earn his daily bread. But the basic salary is not enough for Rousku. He also sells a lot of stuff on the side from the storeroom directly to Jylhäkorpi, a frequent visitor, bypassing company bookkeeping. Rousku's colleague in the cellar storeroom is Raninen whose life consists of work, quarreling with his wife, and lottery. Raninen wants to win the main prize but he wants to have the right numbers in exactly the order in which they appear from the lottery machine. Raninen is not the sharpest pencil in the pencil box. Rousku's freedom is threatened by his relationship to the saleswoman Karita. Rousku wants to keep a distance to the woman except in bed. Karita has decided otherwise.
Writer
Writer
A story of a priest, who considers himself as a rebel is suddenly asked to run for bishop of Turku.
Writer
In a religious rural community in the 1950s, Ritva, a young woman has kept her pregnancy a secret. Helped by her sister, she gives birth but soon abandons the baby. The next day the infant is brought to the hospital where Ritva works. Troubled with shame, Ritva finds consolation from a dying priest.
