Ulrike Kofler

Nacimiento : 1974-01-01, Innsbruck, Austria

Películas

La emperatriz rebelde
Editor
En la Navidad de 1877, Isabel de Austria (Sissi), celebra su 40º cumpleaños. Primera dama de Austria, mujer del emperador Francisco José I, no tiene derecho a expresarse y debe mantenerse hermosa y joven para siempre en su papel de emperatriz. Para satisfacer estas expectativas, adopta un estricto régimen de ayuno, ejercicios, peluquería y medición diaria de su cintura. Asfixiada por dichas convenciones, y con un apetito voraz de saber y de vida, Isabel se rebela cada vez más contra esta imagen.
Vier
Editor
Flooding in Krumau am Kamp: three infant bodies , two girls and a boy , are found in the basement of the Trummler family 's farm , which has long been uninhabited . The children were suffocated immediately after birth and buried on the spot . A dark reputation precedes the Trummelrs ; the word "cursed" is used more than once : after the daughter 's disappearance without a trace. The villagers have never quite forgotten the tragedy , and so willOld wounds opened up when Marion Reiter from the St. Pölten homicide squad took up the investigation . She is assisted by the inexperienced but persistent local police officer Ulli Herzog . As the two delve deeper into the Trummels ' dark family secrets . The two of them don't seem to be bothered by the macabre history at first , but the shadows of the past soon catch up with them too .
La vida que queríamos
Screenplay
Una pareja que se enfrenta a problemas de fertilidad ve cómo su matrimonio se pone a prueba en unas vacaciones en un centro turístico de Cerdeña.
La vida que queríamos
Director
Una pareja que se enfrenta a problemas de fertilidad ve cómo su matrimonio se pone a prueba en unas vacaciones en un centro turístico de Cerdeña.
Backstage Wiener Staatsoper
Editor
El suelo bajo mis pies
Editor
Aunque aún no ha cumplido los 30, Lola (Valerie Pachner) maneja su vida con la misma eficiencia que emplea para optimizar su rendimiento como consultora financiera. Nadie conoce la existencia de su hermana Conny (Pia Hierzegger), ni tampoco el largo historial que relaciona a su familia con la enfermedad mental. Todo cambia cuando un trágico evento relacionado con Conny obliga Lola a reencontrarse con su pasado, destapando una serie de secretos que creía haber dejado atrás y que provocan que, poco a poco, vaya perdiendo la cordura y el contacto con la realidad
Die Wunderübung
Editor
Joana and Valentin Dorek are a married couple going through a crisis. This prompts them to take a trial session with a couple’s therapist. In the therapist’s consulting room they start off with their standard programme: she won’t stop talking and he isn’t even listening. The broken communication between the couple is a real challenge for the therapist. He is almost at his wits’ end when his mobile rings and a surprising message brings chaos into their therapy session.
Die Notlüge
Editor
Hubert and Helga are separated. Hubert has not yet told her about it in order to spare his heart-broken mother. On her 80th birthday he finally wants to tell the truth. The feast takes its course, until at the end all are exhausted, hurt, drunk and desperate and even do not know exactly what they really want. And then, at the right moment, Hubert takes the floor and - lies.
We Used to Be Cool
Editor
Three couples in Vienna have children at around the same time. They're all in their mid-30s, successful, cool and live in a popular part of town. As idealistic as they are materialistic, they grow tomatoes on the balcony, drink locally roasted coffee and expensive cocktails and would never buy an electronic device sporting a half-eaten apple. And they're absolutely certain that you can have children without becoming bourgeois. But the reality tells a different story. Between career and kindergarten, Apple and alternative lifestyles, the satire plays cleverly with hipster clichés and mercilessly points up the gap between the old self-image and the new bourgeoisie.
Gruber Is Leaving
Editor
John Gruber is in his mid thirties, an egocentric, living life in the fast lane and sparing no expense. But all of a sudden he is thrown off track by a cancer diagnosis and by the person who unwillingly delivers the news: Sarah, a DJane from Berlin, who is not his type at all. Feelings just aren’t Gruber’s cup of tea and now, without having asked for them, he has more than ever before…
The Fatherless
Editor
A partir de la muerte del padre, cuatro hermanos muy distintos se reúnen después de mucho tiempo sin verse (incluso sin saber de la existencia de uno de ellos) en las afueras de Viena. Un fin de semana de luto en el campo se convierte, de forma inevitable, en un ambiente donde la tensión familiar crece hasta el límite, mientras esos seres intentar lidiar con la herencia que recibieron. Por su parte, el padre, ahora ausente, cobrará vida no sólo en la presencia fantasmal que todavía los acecha, sino también a través de los flashbacks que nos llevan a un pasado extraño; señalando la convivencia infantil en una comunidad hippie donde las drogas y el sexo libre no eran algo exótico, y de la cual todos los jóvenes escaparon en cuanto tuvieron oportunidad. (extraído de BAFICI.gov.ar) (FILMAFFINITY)