Ulrike Kofler

유럽에서 가장 아름다운 여인으로 유명한 오스트리아의 황후 엘리자베트. 그에게 주어진 역할은 1킬로의 머리를 이고 우아하게 앉아있는 것뿐이다. 갑갑한 황실에서 벗어나고 싶은 엘리자베트는 자유를 찾아 자신을 조이던 코르사주를 벗고 스스로의 초상을 완성하려 한다.

Flooding in Krumau am Kamp: three infant bodies , two girls and a boy , are found in the basement of the Trummler family 's farm , which has long been uninhabited . The children were suffocated immediately after birth and buried on the spot . A dark reputation precedes the Trummelrs ; the word "cursed" is used more than once : after the daughter 's disappearance without a trace. The villagers have never quite forgotten the tragedy , and so willOld wounds opened up when Marion Reiter from the St. Pölten homicide squad took up the investigation . She is assisted by the inexperienced but persistent local police officer Ulli Herzog . As the two delve deeper into the Trummels ' dark family secrets . The two of them don't seem to be bothered by the macabre history at first , but the shadows of the past soon catch up with them too .

아이만 있다면 완벽할 텐데. 난임으로 시름이 깊은 부부는 그렇게 생각했다. 계속 실패하는 시험관 시술에 지쳐 떠난 휴가. 그런데 옆 객실에 숙박한 가족이 자꾸 거슬린다. 우리가 가질 수 없는 걸 가진 저 부부는 틀림없이 행복하겠지?

아이만 있다면 완벽할 텐데. 난임으로 시름이 깊은 부부는 그렇게 생각했다. 계속 실패하는 시험관 시술에 지쳐 떠난 휴가. 그런데 옆 객실에 숙박한 가족이 자꾸 거슬린다. 우리가 가질 수 없는 걸 가진 저 부부는 틀림없이 행복하겠지?

젊은 컨설턴트인 롤라는 매주 100시간을 일하고 5개의 스포츠 활동을 한다. 그녀의 언니인 코니는 편집적 조현병 환자로 아파트를 떠날 수 없다. 코니는 수면제 120알을 삼켰음에도 살아 남는다. 롤라는 언니의 존재에 대해 그 누구에게도 이야기하지 않는다.

Joana and Valentin Dorek are a married couple going through a crisis. This prompts them to take a trial session with a couple’s therapist. In the therapist’s consulting room they start off with their standard programme: she won’t stop talking and he isn’t even listening. The broken communication between the couple is a real challenge for the therapist. He is almost at his wits’ end when his mobile rings and a surprising message brings chaos into their therapy session.

Hubert and Helga are separated. Hubert has not yet told her about it in order to spare his heart-broken mother. On her 80th birthday he finally wants to tell the truth. The feast takes its course, until at the end all are exhausted, hurt, drunk and desperate and even do not know exactly what they really want. And then, at the right moment, Hubert takes the floor and - lies.

Three couples in Vienna have children at around the same time. They're all in their mid-30s, successful, cool and live in a popular part of town. As idealistic as they are materialistic, they grow tomatoes on the balcony, drink locally roasted coffee and expensive cocktails and would never buy an electronic device sporting a half-eaten apple. And they're absolutely certain that you can have children without becoming bourgeois. But the reality tells a different story. Between career and kindergarten, Apple and alternative lifestyles, the satire plays cleverly with hipster clichés and mercilessly points up the gap between the old self-image and the new bourgeoisie.

John Gruber is in his mid thirties, an egocentric, living life in the fast lane and sparing no expense. But all of a sudden he is thrown off track by a cancer diagnosis and by the person who unwillingly delivers the news: Sarah, a DJane from Berlin, who is not his type at all. Feelings just aren’t Gruber’s cup of tea and now, without having asked for them, he has more than ever before…

They never expected Kyra to turn up again. The two brothers and their sister, brought together when their father dies, are stunned by the appearance of their sister.Kyra suddenly vanished over twenty years ago during the breakup of the hippie commune where they were all born. She is like a stranger to them now... but when she discovers that her very existence has been kept secret, she starts to uncover old mysteries. And soon all the brothers and sisters find themselves unearthing the roots of their childhood memories they had suppressed in order to survive. In her debut feature film Marie Kreutzer embarks upon an intriguing and disturbing journey into the past, a gripping study of belonging and solitude, bonds and freedom. Written by Novotny & Novotny Film