Director
GOOD OL GIRL follows three young Texas cowgirls tasked with carrying on their families' legacies amidst a volatile landscape and industry. The film explores the modern West: a place where the male cowboy mythology must answer to a new, honest, and some would say subversive, female story. The jarring transition between generations illuminates the weight of heritage and tradition. As the old guard wanes, these three women stand amidst the vast ranchlands of Texas. Who has the authority to claim our traditions when only those who have been overlooked are left to carry them on?
Executive Producer
Olivia, una mujer transexual filipina indocumentada y muy preocupada por una posible deportación, trabaja como cuidadora de Olga, una abuela judía rusa, en Brighton Beach (Brooklyn). Cuando Olivia se queda sin opciones para obtener el estatus legal en los EE. UU. –el hombre estadounidense al que paga en secreto por una tarjeta verde se echa atrás–, se involucra románticamente con Alex, nieto de Olga, en búsqueda de una tarjeta verde basada en el matrimonio.
Producer
Returning to his home town in backwood Vermont, Dink is determined to reclaim control, ending his legacy of alcoholism and constructing his own log cabin by hand. However, Dink’s troubled past, including his gambling mother, Jean and damaged ex-partner, Sierra, threaten to blow him off course.
