Gabriela Guillermo
Nacimiento : 1965-11-27, Montevideo, Uruguay
Historia
Gabriela Guillermo is a Uruguayan director, writer and producer. She became a biologist before going to Paris to study cinema for 3 years. She has directed several feature films, including co-directing the four part film series Historias de Estaciones inspired by Eric Rohmer's Tales of the Four Seasons.
Producer
A cinematographic poetry that portrays the artistic link between the French filmmaker André S. Labarthe and his disciple, the Uruguayan filmmaker Gabriela Guillermo. The letters that were written over the years testify, not only to the mutual affection and admiration, but also their will to one day make a movie together. After trouble in the production due to the teacher's delicate health and his subsequent death, we witness in the winter landscapes the creative complicity between both filmmakers.
Editor
A cinematographic poetry that portrays the artistic link between the French filmmaker André S. Labarthe and his disciple, the Uruguayan filmmaker Gabriela Guillermo. The letters that were written over the years testify, not only to the mutual affection and admiration, but also their will to one day make a movie together. After trouble in the production due to the teacher's delicate health and his subsequent death, we witness in the winter landscapes the creative complicity between both filmmakers.
Screenplay
A cinematographic poetry that portrays the artistic link between the French filmmaker André S. Labarthe and his disciple, the Uruguayan filmmaker Gabriela Guillermo. The letters that were written over the years testify, not only to the mutual affection and admiration, but also their will to one day make a movie together. After trouble in the production due to the teacher's delicate health and his subsequent death, we witness in the winter landscapes the creative complicity between both filmmakers.
Director
A cinematographic poetry that portrays the artistic link between the French filmmaker André S. Labarthe and his disciple, the Uruguayan filmmaker Gabriela Guillermo. The letters that were written over the years testify, not only to the mutual affection and admiration, but also their will to one day make a movie together. After trouble in the production due to the teacher's delicate health and his subsequent death, we witness in the winter landscapes the creative complicity between both filmmakers.
Director
A young swimmer discovers himself a writer. He recounts his first love experiences and the drift in which he finds himself before finding his vocation.
Editor
Love story between a hopeless woman and the one that saves her, united by camaraderie, solidarity, and complicity.
Writer
Love story between a hopeless woman and the one that saves her, united by camaraderie, solidarity, and complicity.
Producer
Love story between a hopeless woman and the one that saves her, united by camaraderie, solidarity, and complicity.
Director
Love story between a hopeless woman and the one that saves her, united by camaraderie, solidarity, and complicity.
Editor
Five stories of summer love lived by young Uruguayans and the hopeful record - of three sunsets - to see the green ray.
Producer
Five stories of summer love lived by young Uruguayans and the hopeful record - of three sunsets - to see the green ray.
Writer
Five stories of summer love lived by young Uruguayans and the hopeful record - of three sunsets - to see the green ray.
Director
Five stories of summer love lived by young Uruguayans and the hopeful record - of three sunsets - to see the green ray.
Screenplay
Ethel es una psicoanalista de unos 60 años que decide acceder a los documentos desclasificados por el gobierno uruguayo a fin de conocer la identidad de los ejecutores de la muerte de su marido. Ocurrida el 17 de agosto de 1961, en un acto en la Universidad de la República donde el Che Guevara pronunció uno de sus primeros discursos revolucionarios luego del triunfo de la revolución cubana, la bala que mató al profesor de historia Arbelio Ramírez fue considerada un error de un atentado preparado por la CIA dirigido al Che Guevara
Director
Ethel es una psicoanalista de unos 60 años que decide acceder a los documentos desclasificados por el gobierno uruguayo a fin de conocer la identidad de los ejecutores de la muerte de su marido. Ocurrida el 17 de agosto de 1961, en un acto en la Universidad de la República donde el Che Guevara pronunció uno de sus primeros discursos revolucionarios luego del triunfo de la revolución cubana, la bala que mató al profesor de historia Arbelio Ramírez fue considerada un error de un atentado preparado por la CIA dirigido al Che Guevara
Camera Operator
A group of artists adopt an inter-disciplinary approach to show what the reality of madness is really like, but they end up showing the madness of reality. Raquel Lubartowski decided to stage a performance of the play Marat Sade by Peter Weiss at the Vilardebó Hospital, which is the psychiatric hospital in Montevideo. This documentary takes us through from the first meeting to the first rehearsal at an old dilapidated polyclinic.
Director of Photography
A group of artists adopt an inter-disciplinary approach to show what the reality of madness is really like, but they end up showing the madness of reality. Raquel Lubartowski decided to stage a performance of the play Marat Sade by Peter Weiss at the Vilardebó Hospital, which is the psychiatric hospital in Montevideo. This documentary takes us through from the first meeting to the first rehearsal at an old dilapidated polyclinic.
Producer
A group of artists adopt an inter-disciplinary approach to show what the reality of madness is really like, but they end up showing the madness of reality. Raquel Lubartowski decided to stage a performance of the play Marat Sade by Peter Weiss at the Vilardebó Hospital, which is the psychiatric hospital in Montevideo. This documentary takes us through from the first meeting to the first rehearsal at an old dilapidated polyclinic.
Sound Director
A group of artists adopt an inter-disciplinary approach to show what the reality of madness is really like, but they end up showing the madness of reality. Raquel Lubartowski decided to stage a performance of the play Marat Sade by Peter Weiss at the Vilardebó Hospital, which is the psychiatric hospital in Montevideo. This documentary takes us through from the first meeting to the first rehearsal at an old dilapidated polyclinic.
Director
A group of artists adopt an inter-disciplinary approach to show what the reality of madness is really like, but they end up showing the madness of reality. Raquel Lubartowski decided to stage a performance of the play Marat Sade by Peter Weiss at the Vilardebó Hospital, which is the psychiatric hospital in Montevideo. This documentary takes us through from the first meeting to the first rehearsal at an old dilapidated polyclinic.
Executive Producer
This documentary takes us back to the events surrounding 1958 when the University Organic Law was passed. We hear the testimony of three university teachers who took part in the debates and the student activism at that time: the experiences of people who were young “back then”, the cultural context of the period and the connection between the students and the worker's movement.
Director
This documentary takes us back to the events surrounding 1958 when the University Organic Law was passed. We hear the testimony of three university teachers who took part in the debates and the student activism at that time: the experiences of people who were young “back then”, the cultural context of the period and the connection between the students and the worker's movement.
Screenplay
To grow old in Rivera is to grow old on the border. The protagonists of this documentary tell us in Portuguese as well as in Spanish about their lives far from the bustle of the capital city. Their days are long, their work is hard, they have few opportunities to improve their situation, but they still haven't lost the ability to smile or their love of life. The aim of this documentary is to show what the process of growing old in Uruguay is like, and to raise people's awareness about the situation of the elderly. It shows, without prejudice, just what old age is.
Director
To grow old in Rivera is to grow old on the border. The protagonists of this documentary tell us in Portuguese as well as in Spanish about their lives far from the bustle of the capital city. Their days are long, their work is hard, they have few opportunities to improve their situation, but they still haven't lost the ability to smile or their love of life. The aim of this documentary is to show what the process of growing old in Uruguay is like, and to raise people's awareness about the situation of the elderly. It shows, without prejudice, just what old age is.
Writer
El film relata la historia de Ela (Gabriela Iribarren) quien regresa a Uruguay, triste y dolorida para buscarse a sí misma. En su regreso, se reencuentra con amigos (María Mendive) y cree renacer en su búsqueda del amor que imagina encontrar en un cantante brasileño (Luiz Melodia), a quien conoce en un concierto público. Se vuelve fan y en su vívido deseo de reencuentro, lo sigue, le envía emails apasionados y recibe respuestas que nutren su pasión. Pero al mismo tiempo, buscando un amor real, encuentra a Noé (Eduardo Méndez), por quien no es indiferente. Fan es la historia de una mujer desorientada, que tiene que elegir entre la fantasía y la admiración hacia lo inaccesible o la vida real de todos los días, que después de todo le depara también grandes alegrías. La película relata este viaje interior de crecimiento personal, donde la protagonista termina asumiendo su realidad, lo que le implica pasar por diferentes duelos, a su ritmo y como puede.
Director
El film relata la historia de Ela (Gabriela Iribarren) quien regresa a Uruguay, triste y dolorida para buscarse a sí misma. En su regreso, se reencuentra con amigos (María Mendive) y cree renacer en su búsqueda del amor que imagina encontrar en un cantante brasileño (Luiz Melodia), a quien conoce en un concierto público. Se vuelve fan y en su vívido deseo de reencuentro, lo sigue, le envía emails apasionados y recibe respuestas que nutren su pasión. Pero al mismo tiempo, buscando un amor real, encuentra a Noé (Eduardo Méndez), por quien no es indiferente. Fan es la historia de una mujer desorientada, que tiene que elegir entre la fantasía y la admiración hacia lo inaccesible o la vida real de todos los días, que después de todo le depara también grandes alegrías. La película relata este viaje interior de crecimiento personal, donde la protagonista termina asumiendo su realidad, lo que le implica pasar por diferentes duelos, a su ritmo y como puede.
Camera Operator
Baltasar Brum is a town of three thousand souls in the department of Artigas. In 1986 the train station was closed down and the community was in danger of disappearing altogether, but today it is still there and in fact it is growing. The local samba “schools”, which are similar to these organizations in Brazil except that they speak Spanish, tell the story of the town and its outstanding figures against a background of local and more universal events. The documentary shows how carnival is celebrated in this Uruguayan border town.
Executive Producer
Baltasar Brum is a town of three thousand souls in the department of Artigas. In 1986 the train station was closed down and the community was in danger of disappearing altogether, but today it is still there and in fact it is growing. The local samba “schools”, which are similar to these organizations in Brazil except that they speak Spanish, tell the story of the town and its outstanding figures against a background of local and more universal events. The documentary shows how carnival is celebrated in this Uruguayan border town.
Screenplay
Baltasar Brum is a town of three thousand souls in the department of Artigas. In 1986 the train station was closed down and the community was in danger of disappearing altogether, but today it is still there and in fact it is growing. The local samba “schools”, which are similar to these organizations in Brazil except that they speak Spanish, tell the story of the town and its outstanding figures against a background of local and more universal events. The documentary shows how carnival is celebrated in this Uruguayan border town.
Director
Baltasar Brum is a town of three thousand souls in the department of Artigas. In 1986 the train station was closed down and the community was in danger of disappearing altogether, but today it is still there and in fact it is growing. The local samba “schools”, which are similar to these organizations in Brazil except that they speak Spanish, tell the story of the town and its outstanding figures against a background of local and more universal events. The documentary shows how carnival is celebrated in this Uruguayan border town.