Lindsay Lees

PelĂ­culas

Paris/Sexy
Production Design
Greer is a girl on the cusp of womanhood. Like some curious fabled creature she lives in a remote, rundown woodland farmhouse with her Dad, Ivan, a former gamekeeper whose mind has been ravaged by chronic mental illness. Father and daughter are suspected and ostracized by the nearby village. Greer spends her working days tending to elderly, failing residents of the local care-home and the rest of her time looking after her dad. But despite her loving devotion to Ivan, Greer imagines life beyond the narrow confines of her own and is troubled by the heavy burden she bears. Greer romanticises about a life lived in colour. The impossibly glamorous Francoise and Seamus crash into the care-home to visit his mother. Greer is entranced. They seem to epitomize everything she's dreamt of: beauty, success, sophistication and access to the world in all its glory. She attaches herself to them, flattered by their awareness of her and enraptured by the atmosphere of decadence they inhabit.
Native Son
Art Direction
John, lives in a remote area of Scotland. The primary industry is potato farming and John is a picker who lives for the harvests; it is all he has in his life. He yearns for a life that he does not know how to make for himself - a home and family. John exhibits all the signs of someone who has suffered unknown tragedies in his life, but those reasons are hidden from the viewer. While driving back to town on a dark and isolated road, John comes upon a car stopped up ahead. He immediately can see a hose attached to the exhaust pipe. He has come upon a suicide. Suddenly, headlights appear in the opposite direction and John's immediate reaction is to hide, though he has done nothing wrong. That choice leads John to take the body of the dead young woman to a shed in the woods.