Director
El asesinato de una mujer en una casa abandonada es el primer asesinato que ha tenido esta isla rural francesa en 100 años. Un policía que abandonó la isla 20 años antes y una joven pasante que se mudó cuando ella tenía seis años, pero no recuerda esos primeros seis años de su vida, se unen para resolver el asesinato y algunos otros misterios que se desarrollan durante el curso de su investigación.
Director
A los 12 años, Gabriel fue abusado sexualmente por el padre Vincey, director de su escuela. Quince años más tarde, el trauma sigue intacto. Permanentemente corroído por este mal que ha conservado en secreto, Gabriel compra un arma y se instala cerca del internado en donde el cura sigue siendo director.
Director
En 1995, cuatro amigos estudiantes formaron una banda.
Al regresar de una fiesta, descubren el cuerpo de una joven camarera de 19 años en el borde de una carretera. La joven murió en sus brazos.
El comisario sospecha de los cuatro chicos, pero no puede probarlo. Ninguno de ellos admite ...
Quince años más tarde, en el aniversario de la muerte de la joven camarera, uno de los cuatro hombres muertos por una bomba oculta en su apartamento ...
Director
Production Director
A housewife is preparing a duck à l'orange in her kitchen. But the reluctant bird tries to escape from her but the woman manages to recaptures it and plucks it savagely. Once the duck is put in the oven, an alligator unexpectedly appears in the kitchen, threatening the cook.
Producer
Memories split in the space.
Producer
Bokanowski returns to the complex - and mind-bending - optical array of pinholes, mirrors, prisms, and refractive substrates of his earlier film, La Plage to create the whimsical and playful Au bord du lac. The film is composed of mundane, everyday scenes of recreation and leisure on an idyllic, sunny day at a park that overlooks a lake - rowing a boat, playing a game of volleyball, rollerskating, bicycling, reading a newspaper, sunbathing, riding on horseback, or strolling on the promenade - shot through optical distortions to create fractured and knotted images that resemble embellished, gothic fairytale illustrations or appear to resolve into morphing, geometric patterns of fluid motion. Evoking the vibrant colors and sun-soaked palette of an invigorated Vincent van Gogh in Arles, Bokanowski transforms the quotidian into an infinitely mesmerizing dynamic kaleidoscope of shape-shifting textures and self-reconstituting objects of organic, abstract art.
Director
Mathilde (Dominique Blanc) has had a number of children, but is still an attractive woman. One day her husband simply picks up and leaves without any explanation whatever. At about the same time, she is involved at an accident at her workplace which makes her strongly aware of the passage of time. Can she once more know the love of a man? She has enough suitors: Charlie, though dull, has been in love with her since she could remember; Jacques is the father of one of her children; Mano has moved to the north of France from Spain, and wants to refurbish her house for her. Without rushing, she carefully considers each man (and her absent husband) in the context of her life, what she wants from it, and what is possible.
Producer
Reworked and colored images of people playing at the seashore.
