Matthew Porterfield

Matthew Porterfield

Nacimiento : 1977-10-07, Baltimore, Maryland, USA

Perfil

Matthew Porterfield

Películas

Way Out Ahead of Us
Producer
Two parents try to keep the dad's terminal illness a secret from their daughter so that they don't spoil her plans to move to the city. The mother and father are played by a real couple, who are dealing with the man's real illness, and their daughter is played by an actress, cast to play the child they never had, but always dreamed of.
Cuatro paredes
Editor
Karla arrives in Tijuana, Mexico to stay at her estranged aunt’s house a year after her father’s death. In this moment of solitude and calm, she looks up, down, inward and outward via the transpositional alchemy of text and is reminded that speaking to oneself feels like a vital human practice.
Cuatro paredes
Producer
Karla arrives in Tijuana, Mexico to stay at her estranged aunt’s house a year after her father’s death. In this moment of solitude and calm, she looks up, down, inward and outward via the transpositional alchemy of text and is reminded that speaking to oneself feels like a vital human practice.
Cuatro paredes
Director
Karla arrives in Tijuana, Mexico to stay at her estranged aunt’s house a year after her father’s death. In this moment of solitude and calm, she looks up, down, inward and outward via the transpositional alchemy of text and is reminded that speaking to oneself feels like a vital human practice.
Sollers Point
Story
Keith, un joven de 24 años, está en libertad condicional tras haber pasado un año en la cárcel y vive en casa de su padre. Keith recorre su barrio de Baltimore, profundamente dividido en estratos sociales, en busca de trabajo y de algo que dé un nuevo sentido a su vida. Aunque el mundo exterior tiene sus propias amenazas, los grandes enemigos de Keith son los demonios que alberga en su interior.
Sollers Point
Writer
Keith, un joven de 24 años, está en libertad condicional tras haber pasado un año en la cárcel y vive en casa de su padre. Keith recorre su barrio de Baltimore, profundamente dividido en estratos sociales, en busca de trabajo y de algo que dé un nuevo sentido a su vida. Aunque el mundo exterior tiene sus propias amenazas, los grandes enemigos de Keith son los demonios que alberga en su interior.
Sollers Point
Director
Keith, un joven de 24 años, está en libertad condicional tras haber pasado un año en la cárcel y vive en casa de su padre. Keith recorre su barrio de Baltimore, profundamente dividido en estratos sociales, en busca de trabajo y de algo que dé un nuevo sentido a su vida. Aunque el mundo exterior tiene sus propias amenazas, los grandes enemigos de Keith son los demonios que alberga en su interior.
Take What You Can Carry
Producer
A character study as well as a meditation on communication, creativity, and physical space, Take What You Can Carry is a picture of a young woman seen through the interiors she occupies and the company she keeps. A North American living abroad, Lilly aspires to shape an intimate and private place of her own while connecting to the world around her. When she receives a letter from home, it provides the conduit she needs to fuse her transient self with the person she's always known herself to be.
Take What You Can Carry
Writer
A character study as well as a meditation on communication, creativity, and physical space, Take What You Can Carry is a picture of a young woman seen through the interiors she occupies and the company she keeps. A North American living abroad, Lilly aspires to shape an intimate and private place of her own while connecting to the world around her. When she receives a letter from home, it provides the conduit she needs to fuse her transient self with the person she's always known herself to be.
Take What You Can Carry
Director
A character study as well as a meditation on communication, creativity, and physical space, Take What You Can Carry is a picture of a young woman seen through the interiors she occupies and the company she keeps. A North American living abroad, Lilly aspires to shape an intimate and private place of her own while connecting to the world around her. When she receives a letter from home, it provides the conduit she needs to fuse her transient self with the person she's always known herself to be.
I Used to Be Darker
Writer
Cuando Taryn, un fugitivo de Irlanda del Norte, se encuentra en problemas en Ocean City, MD, ella se refugia con su tía y su tío en Baltimore. Pero Kim y Bill tienen sus propios problemas: están tratando de manejar el final de su matrimonio con gracia por el bien de su hija Abby. Una historia de las revelaciones de la familia. (FILMAFFINITY)
I Used to Be Darker
Director
Cuando Taryn, un fugitivo de Irlanda del Norte, se encuentra en problemas en Ocean City, MD, ella se refugia con su tía y su tío en Baltimore. Pero Kim y Bill tienen sus propios problemas: están tratando de manejar el final de su matrimonio con gracia por el bien de su hija Abby. Una historia de las revelaciones de la familia. (FILMAFFINITY)
Putty Hill
Writer
Matt Porterfield muestra en 'Putty Hill' su visión personal de la decadencia del "Sueño Americano", en un viaje por los suburbios blancos llenos de familias desestructuradas. Un skate park, un estudio de tatuajes, un bosque, un karaoke...
Putty Hill
Director
Matt Porterfield muestra en 'Putty Hill' su visión personal de la decadencia del "Sueño Americano", en un viaje por los suburbios blancos llenos de familias desestructuradas. Un skate park, un estudio de tatuajes, un bosque, un karaoke...
Hamilton
Writer
Chronicles two summer days in the life of a young recent family: Lena, 17, and Joe, 20, two recent and accidental parents residing in a diverse suburban neighborhood in northeast Baltimore City.
Hamilton
Director
Chronicles two summer days in the life of a young recent family: Lena, 17, and Joe, 20, two recent and accidental parents residing in a diverse suburban neighborhood in northeast Baltimore City.
Check Me in Another Place
Screenplay
Check Me in Another Place
Director