Matthew Porterfield

Two parents try to keep the dad's terminal illness a secret from their daughter so that they don't spoil her plans to move to the city. The mother and father are played by a real couple, who are dealing with the man's real illness, and their daughter is played by an actress, cast to play the child they never had, but always dreamed of.

Karla arrives in Tijuana, Mexico to stay at her estranged aunt’s house a year after her father’s death. In this moment of solitude and calm, she looks up, down, inward and outward via the transpositional alchemy of text and is reminded that speaking to oneself feels like a vital human practice.

Karla arrives in Tijuana, Mexico to stay at her estranged aunt’s house a year after her father’s death. In this moment of solitude and calm, she looks up, down, inward and outward via the transpositional alchemy of text and is reminded that speaking to oneself feels like a vital human practice.

Karla arrives in Tijuana, Mexico to stay at her estranged aunt’s house a year after her father’s death. In this moment of solitude and calm, she looks up, down, inward and outward via the transpositional alchemy of text and is reminded that speaking to oneself feels like a vital human practice.

Keith, a small-time drug dealer, is under house arrest at the home of his father in Baltimore. He re-enters a community scarred by unemployment, neglect and deeply entrenched segregation. There, he pushes back against his surrounding limitations as he tries to find a way out of his own internal prison.

Keith, a small-time drug dealer, is under house arrest at the home of his father in Baltimore. He re-enters a community scarred by unemployment, neglect and deeply entrenched segregation. There, he pushes back against his surrounding limitations as he tries to find a way out of his own internal prison.

Keith, a small-time drug dealer, is under house arrest at the home of his father in Baltimore. He re-enters a community scarred by unemployment, neglect and deeply entrenched segregation. There, he pushes back against his surrounding limitations as he tries to find a way out of his own internal prison.

A character study as well as a meditation on communication, creativity, and physical space, Take What You Can Carry is a picture of a young woman seen through the interiors she occupies and the company she keeps. A North American living abroad, Lilly aspires to shape an intimate and private place of her own while connecting to the world around her. When she receives a letter from home, it provides the conduit she needs to fuse her transient self with the person she's always known herself to be.

A character study as well as a meditation on communication, creativity, and physical space, Take What You Can Carry is a picture of a young woman seen through the interiors she occupies and the company she keeps. A North American living abroad, Lilly aspires to shape an intimate and private place of her own while connecting to the world around her. When she receives a letter from home, it provides the conduit she needs to fuse her transient self with the person she's always known herself to be.

A character study as well as a meditation on communication, creativity, and physical space, Take What You Can Carry is a picture of a young woman seen through the interiors she occupies and the company she keeps. A North American living abroad, Lilly aspires to shape an intimate and private place of her own while connecting to the world around her. When she receives a letter from home, it provides the conduit she needs to fuse her transient self with the person she's always known herself to be.

When Taryn, a Northern Irish runaway, finds herself in trouble in Ocean City, MD, she seeks refuge with her aunt and uncle in Baltimore. But Kim and Bill have problems of their own: they’re trying to handle the end of their marriage gracefully for the sake of their daughter Abby, just home from her first year of college. A story of family revelations, people finding each other and letting each other go, looking for love where they’ve found it before and, when that doesn’t work, figuring out where they might find it next.

When Taryn, a Northern Irish runaway, finds herself in trouble in Ocean City, MD, she seeks refuge with her aunt and uncle in Baltimore. But Kim and Bill have problems of their own: they’re trying to handle the end of their marriage gracefully for the sake of their daughter Abby, just home from her first year of college. A story of family revelations, people finding each other and letting each other go, looking for love where they’ve found it before and, when that doesn’t work, figuring out where they might find it next.

Friends and family of Cory, a young man who has died of an overdose, gather at a Baltimore-area karaoke bar for his wake and compare stories about him. Gradually, as it becomes clear that there are many holes in their recollections about Cory, they fill in the blanks by talking about things that reveal aspects of their own lives. Among those mourning him and searching for meaning are his cousin Jenny, his sister Zoe and his brother James.

Friends and family of Cory, a young man who has died of an overdose, gather at a Baltimore-area karaoke bar for his wake and compare stories about him. Gradually, as it becomes clear that there are many holes in their recollections about Cory, they fill in the blanks by talking about things that reveal aspects of their own lives. Among those mourning him and searching for meaning are his cousin Jenny, his sister Zoe and his brother James.

Chronicles two summer days in the life of a young recent family: Lena, 17, and Joe, 20, two recent and accidental parents residing in a diverse suburban neighborhood in northeast Baltimore City.

Chronicles two summer days in the life of a young recent family: Lena, 17, and Joe, 20, two recent and accidental parents residing in a diverse suburban neighborhood in northeast Baltimore City.